The Jaws Book -

The Jaws Book

New Perspectives on the Classic Summer Blockbuster

I.Q. Hunter, Matthew Melia (Herausgeber)

Buch | Softcover
294 Seiten
2022
Bloomsbury Academic USA (Verlag)
978-1-5013-7386-2 (ISBN)
37,40 inkl. MwSt
After 45 years, Steven Spielberg’s Jaws remains the definitive summer blockbuster, a cultural phenomenon with a fierce and dedicated fan base. The Jaws Book: New Perspectives on the Classic Summer Blockbuster is an exciting illustrated collection of new critical essays that offers the first detailed and comprehensive overview of the film’s significant place in cinema history. Bringing together established and young scholars, the book includes contributions from leading international writers on popular cinema including Murray Pomerance, Peter Krämer, Sheldon Hall, Nigel Morris and Linda Ruth Williams, and covers such diverse topics as the film’s release, reception and canonicity; its representation of masculinity and children; the use of landscape and the ocean; its status as a western; sequels and fan-edits; and its galvanizing impact on the horror film, action movie and contemporary Hollywood itself.

I.Q. Hunter is Professor of Film Studies at De Montfort University, UK, and the author of British Trash Cinema (2013), Cult Film as a Guide to Life (2016), editor of British Science Fiction Cinema (1999) and co-editor of British Comedy Cinema (2012) and The Routledge Companion to British Cinema History (2016). Matthew Melia is a Senior Lecturer in film and television at Kingston University, UK. His research interests include the work of Ken Russell, Stanley Kubrick and Steven Spielberg.

List of illustrations
Notes on contributors
Acknowledgements

Foreword
Carl Gottlieb (Screenwriter of Jaws)

Introduction
I.Q. Hunter (De Montfort University, UK) and Matthew Melia (Kingston University, UK)

Part One: Production, Reception and Style
1. ‘She Was the First’: The Place of Jaws in American Film History
Peter Krämer (De Montfort University, UK)

2. Not the First: Myths of Jaws
Sheldon Hall (Sheffield Hallam University, UK)

3. Cutting to the Chase: Editing Jaws
Warren Buckland (Oxford Brookes University, UK)

4. ‘The Shark is Not Working’ – But the Music Is: Scoring a Hit with Jaws
Emilio Audissino (University of Southampton, UK)


5. In the Teeth of Criticism: Forty-Five Years of Jaws
Nigel Morris (University of Lincoln, UK)

6. Jaws, in Theory
Murray Pomerance (Independent scholar, Canada)

Part Two: Interpretation
7. Jaws as Jewish
Nathan Abrams (Bangor University, UK)

8. Children as Bait
Linda Ruth Williams (Exeter University, UK)

9. Reflexive Epistemology in Jaws and Jurassic Park
Robert Geal (University of Wolverhampton, UK)

10. ‘We Delivered the Bomb’: On Jaws, Guilt, and the Atomic Myth
Matthew Leggatt (University of Winchester, UK)

11. The Way Home: Shifting Perspectives in Jaws
Daniel Varndell (University of Winchester, UK)

12. Relocating the Western in Jaws
Matthew Melia (Kingston University, UK)

Part Three: Beyond Jaws
13. ‘Just When You Thought It Was Safe...’: The Jaws Sequels
Kathleen Loock (Freie Universität Berlin, Germany)

14. Martha’s Vineyard Revisited: The Making-Ofs and Their Narrative Strategies
Felix Lempp (University of Hamburg, Germany)

15. Ben Gardner’s Head is Missing: Notes on Jaws: The Sharksploitation Edit
Neil Jackson (University of Lincoln, UK)

16. Live Every Week Like It’s Shark Week: Jaws and Natural History Documentary
Vincent Campbell (University of Leicester, UK)

Index

Erscheinungsdatum
Zusatzinfo 29 bw illus
Verlagsort New York
Sprache englisch
Maße 152 x 229 mm
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-5013-7386-2 / 1501373862
ISBN-13 978-1-5013-7386-2 / 9781501373862
Zustand Neuware
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