Postcolonial Hangups in Southeast Asian Cinema
Amsterdam University Press (Verlag)
978-94-6372-193-6 (ISBN)
Gerald Sim is an Associate Professor of Film and Media Studies at Florida Atlantic University, the author of The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema (2014), and Lee Kong Chian NUS-Stanford Fellow on Contemporary Southeast Asia in 2016-2017.
Acknowledgments
Introduction: Expanding the Postcolonial Map
An Unfamiliar Postcoloniality
Touchstones in Postcolonial Film Studies: On Style and Practice
Strategies Old and New
Cold Wars and Methodological Debates
Chapter 1: Postcolonial Spatiality: Singapore Maps its Cinema
Aerial Maps
Affective Colonial Maps
The Persistence of Colonial Spatiality
Chapter 2: Reorienting Film History Spatially
Finding Singapore in the Impossibilities of Tan Pin Pin
The Vexed Images of Singapore's New Wave
Chapter 3: Postcolonial Cacophonies: Malaysia Senses the World
Nancian Soundscapes
Resonant Subjects
Postcolonial Globalism
Chapter 4: Postcolonial Myths: Indonesia Americanizes Stability
A Brief History of Sublation
American Influence
The Road to Reformasi
Conclusion: A Look Forward for Southeast Asian Film Studies
Theorizing Edwin
What Theory and Southeast Asian Cinema Mean to Each Other
Bibliography
Index
Erscheinungsdatum | 10.05.2021 |
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Reihe/Serie | Critical Asian Cinemas |
Zusatzinfo | 46 Illustrations, black and white |
Verlagsort | Amsterdam |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 94-6372-193-2 / 9463721932 |
ISBN-13 | 978-94-6372-193-6 / 9789463721936 |
Zustand | Neuware |
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