Cruisicology
The Music Culture of Cruise Ships
Seiten
2020
Lexington Books (Verlag)
978-1-7936-0202-2 (ISBN)
Lexington Books (Verlag)
978-1-7936-0202-2 (ISBN)
Cruisicology analyzes the music culture of the cruise ship industry and considers the working life of musicians employed aboard cruise ships. It gives an overview of an industry where artists make music in close proximity to their audiences, surveys present practices, and discusses the likely future of music on passenger shipping.
Since the 1990s the cruise industry has become one of the largest employers of musicians in the world. Thousands of professional musicians work on cruise ships daily, entertaining millions of passengers. Cruisicology: The Music Culture of Cruise Ships provides the first in-depth account of the culture and the industrial determinants of cruise ship music. Based on interviews with working musicians and coauthor David Cashman’s experience as a cruise ship musician, this book investigates how music is organized and made onboard a cruise ship. David Cashman and Philip Hayward study the working life of musicians, why and how corporate shipping lines include music onboard their vessels, the history of musicians on passenger shipping, and the likely future directions of musical entertainment within the industry. Cashman and Hayward illustrate the positive and negative experience of artists making music every day in confined spaces with close proximity to their audiences.
Since the 1990s the cruise industry has become one of the largest employers of musicians in the world. Thousands of professional musicians work on cruise ships daily, entertaining millions of passengers. Cruisicology: The Music Culture of Cruise Ships provides the first in-depth account of the culture and the industrial determinants of cruise ship music. Based on interviews with working musicians and coauthor David Cashman’s experience as a cruise ship musician, this book investigates how music is organized and made onboard a cruise ship. David Cashman and Philip Hayward study the working life of musicians, why and how corporate shipping lines include music onboard their vessels, the history of musicians on passenger shipping, and the likely future directions of musical entertainment within the industry. Cashman and Hayward illustrate the positive and negative experience of artists making music every day in confined spaces with close proximity to their audiences.
David Cashman is pianist, researcher, and adjunct associate professor in the School of Arts and Social Sciences at Southern Cross University. Philip Hayward is adjunct professor at the University of Technology Sydney, editor of the journal Shima and a member of audio-visual ensemble The Moviolas.
Chapter One: Music and Cruising – A Historical and Institutional Introduction
Chapter Two: Musical Contexts and Locations
Chapter Three: Musicians’ Experiences and Lifestyles on Cruise Ships
Chapter Four: 21st Century Diversification
Erscheinungsdatum | 10.05.2021 |
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Reihe/Serie | Critical Perspectives on Music and Society |
Verlagsort | Lanham, MD |
Sprache | englisch |
Maße | 161 x 230 mm |
Gewicht | 390 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
Sozialwissenschaften | |
ISBN-10 | 1-7936-0202-6 / 1793602026 |
ISBN-13 | 978-1-7936-0202-2 / 9781793602022 |
Zustand | Neuware |
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