The Poetics of Poetry Film
Intellect Books (Verlag)
978-1-78938-268-6 (ISBN)
Poetry films are a genre of short film, usually combining the three main elements: the poem as verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. This book examines the formal characteristics of the poetic in poetry film, film poetry and video poetry, particularly in relation to lyric voice and time.
Provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Examines the formal characteristics of the poetic in poetry film, particularly in relation to lyric voice and time. Includes interviews, analysis and a rigorous and thorough investigation of the poetry film from its origins to the present. This is a very important, groundbreaking work on film poetry. The ideas discussed here are of great importance, and the diversity and breadth of the volume is especially impressive and very useful. This book brings together in one place crucial ideas and information for practitioners, students and academics, and is clearly and accessibly written.
Including over 40 contributors and showcasing the work of an international array of practitioners, this will be an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. It explores working practices, processes of collaboration and the mechanisms which make these possible. It also reveals the network of festivals disseminating and theorizing poetry film and presents a compelling bibliography.
This is the most incisive and complete analysis of filmic poetry to date. It is poised to become a major text in the field.
Essential reading for academics teaching poetry filmmaking, moving image, film, media and media poetry, writing and art. Undergraduate and postgraduate students in those fields. Great potential for textbook adoption.
Also relevant to poets, filmmakers, visual artists, graphic artists and theorists, filmmakers, screenwriters, art historians, philosophers, cultural commentators, arts journalists.
Sarah Tremlett (MPhil, FRSA, SWIP) is a commissioned poetry filmmaker, writer, artist, arts journalist, and theorist. She is the cofounder of the poetry film organization and online platform Liberated Words CIC, judging and curating international screenings and events.
Illustrations
Foreword
Valerie LeBlanc
Preface xix
Introduction: Poetry, Song, Philosophy – The Combined Lyric Aesthetic
PART ONE: FORM AND STRUCTURE
1. Terminology across Time
2. Realization and Structure
3. Voice and Narrative
4. Time and Mind
5. Constructing Dynamic Spatio- Temporality
6. Tonality, Light and Colour
7. Sound Design
8. Poet on Screen: Persona and Subjectivity
PART TWO: ARTISTS’ VOICES
9. Contemporary Pioneers
George Aguilar
Enzo Minarelli
Enzo Minarelli
Tom Konyves
Javier Robledo
Peter Todd
Valerie LeBlanc and Daniel H. Dugas
Stuart Pound and Rosemary Norman
Rosemary Norman
Stuart Pound
Heather Haley
Thomas Zandegiacomo del Bel
Zata Banks
Gabrielė Labanauskaitė
Dave Bonta
Alastair Cook
Marc Neys
10. Making
Chaucer Cameron
Marie Craven
Lucy English
Ian Gibbins
Jane Glennie
Suzie Hanna
Kate Jessop
Adeena Karasick
Martha McCollough
Matt Mullins
Adele Myers
Charles Olsen
Caleb Parkin and Helmie Stil
Helmie Stil
Caleb Parkin
Maciej Piatek
Dave Richardson
Othniel Smith
Howard Vause
Susanne Wiegner
11. Poetry Film and Videopoetry in Portugal and Spain: Alive and Thriving
Charles Olsen
Alexandre Braga
Manuel Vilarinho
Eduardo Yagüe
Tarha Erena
Alejandro Céspedes
Celia Parra
Jordan T. Caylor
Belén Gache
Santiago Parres
Lola López- Cózar
Agustín Fernández Mallo
David Argüelles Redondo
Ángel Guinda and Sándor M. Salas
12. Experimental Poetry in Argentina from the 1960s to the 1990s: Political Voice and Prefiguring the Turn to Digital Literature and Video Poetry
Marisol Bellusci
13. Liberated Words: Developing a Poetry Film Festival and Workshops
Butterflies Haven Workshop
Helen Moore
Howard Vause
PART THREE: SELECTED NARRATIVE FORMS
14. Collections
John D. Scott
15. Text- on- Screen
16. Video Haiku and Video Haiga
Katia Viscogliosi and Francis Magnenot
Judy Kendall
17. A Documentary Approach to Poetry Film
18. Dance and Movement
Helen Mort
19. The Ecopoetry Film
Meriel Lland
Janet Lees
Janet Lees
Helen Moore and Howard Vause
Helen Moore
Overview
Examples of Leading Poetry Film Festivals
References
Artists and Authors Index
| Erscheinungsdatum | 10.05.2021 |
|---|---|
| Zusatzinfo | 20 Halftones, black and white; 60 Halftones, color |
| Verlagsort | Bristol |
| Sprache | englisch |
| Maße | 170 x 244 mm |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
| Kunst / Musik / Theater ► Film / TV | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-78938-268-8 / 1789382688 |
| ISBN-13 | 978-1-78938-268-6 / 9781789382686 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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