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Deleuze and Lola Montès

Dr Richard Rushton (Autor)

Buch | Softcover

200 Seiten

2020
Bloomsbury Academic USA (Verlag)
978-1-5013-4575-3 (ISBN)

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Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.

From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.

Richard Rushton is Senior Lecturer in Film at Lancaster University, UK. He is author of Cinema After Deleuze (2012), The Reality of Film (2011), The Politics of Hollywood Cinema (2012), and What is Film Theory? (co-written with Gary Bettinson, 2010).

Introduction
Section 1: Deleuze’s Cinema: Movement, Time, Memory, and Subjectivity
Section 2: The Time-Image and Lola Montès
Conclusion
Further Reading
Bibliography

Erscheinungsdatum	16.01.2021
Reihe/Serie	Film Theory in Practice
Verlagsort	New York
Sprache	englisch
Maße	127 x 197 mm
Gewicht	210 g
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Kunst / Musik / Theater ► Theater / Ballett
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
ISBN-10	1-5013-4575-3 / 1501345753
ISBN-13	978-1-5013-4575-3 / 9781501345753
Zustand	Neuware