British Art Cinema (eBook)

Paul Newland is REF Manager at Bath Spa University Brain Hoyle is Senior Lecturer in Film Studies at the University of Dundee

Introduction: British art cinema: creativity, experimentation and innovation - Paul Newland and Brian Hoyle
1 ‘Art cinema’, 1920s British film culture: Alfred Hitchcock and Anthony Asquith - Tom Ryall
2 Humphrey Jennings: of images, poetry and Pandaemonium - Owen Evans
3 Out of the war, on with the arts: cultural politics and art films in post-war Britain - Katerina Loukopoulou
4 Attitudes towards experiment in British cinema: the amateur art films of Enrico Cocozza - Ryan Shand
5 Art cinema, British production and the 1960s - Duncan Petrie
6 Happy accident: the symbiosis of Joseph Losey and Harold Pinter - Peter Jameson
7 The parameters of British art cinema: a case study of John Krish - Robert Shail
8 The reputation of Nicolas Roeg - Paul Newland
9 ‘As the first black face on the scene, I had to push the doors open’: Horace Ové and Pressure (1975) - Sally Shaw
10 Art cinema and the British poetic realist tradition - David Forrest
11 The third avant garde: Black Audio Film Collective and Latin America - Paul Elliott
12 The rise of British art cinema in the 1980s - John Hill
13 Derek Jarman, trance films and medieval art cinema - Jo George
14 Twin traditions: the biopic and the composed film in British art cinema - Brian Hoyle
15 Don Boyd and the business of art cinema - Phil Wickham
16 Shakespearean film as art cinema: Stage Beauty as a cerebral retort to Hollywood - Sarah Martindale
17 Boundary crossings and inter-subjective imaginings: Sarah Turner’s Perestroika - Kim Knowles
Index