The Routledge International Handbook of Jungian Film Studies

Luke Hockley is Research Professor of Media Analysis at the University of Bedfordshire, UK. He is a practising psychotherapist and is registered with the United Kingdom Council for Psychotherapy (UKCP). Luke is joint Editor in Chief of the International Journal of Jungian Studies (IJJS) and Series Editor for Jung the Essential Guides (Routledge). His recent publications include: Jungian Film Studies: the Essential Guide (Routledge, 2016; co-authored with Helena Bassil-Morozow) and Somatic Cinema: the relationship between body and screen, a Jungian perspective. www.lukehockley.com

List of Contributors

Acknowledgements

Introduction

Luke Hockley

Theoretical Approaches – Section Editor: Catriona Miller

1) A Jungian textual terroir

Catriona Miller

2) Dionysus and textuality: Hockley’s somatic cinema for a transdisciplinary film studies

Susan Rowland

3) Stick to the image? No thanks!

Eric Greene

4) Archetypal possibilities: meta-representations, a critique of von Franz interpretation of fairy tale genre focusing on Jean Cocteau’s retelling of The Beauty and the Beast

Leslie Gardner

5) Human Beans and the flight from otherness: Jungian constructions of gender in film

Phil Goss

6) It’s alive: The evolving archetypal image and Mary Shelley’s Frankenstein

Elizabeth Nelson

7) Music in film: Its functions as image

Benjamin Nagari

8) Psychological images and multimodality in Boyhood and Birdman

Shara Knight

Applied Approaches – Section Editor: Helena Bassil-Morozow

9) Feminist film criticism: Towards a Jungian approach

Helena Bassil-Morozow

10) Teaching Jung in the academy: The representation of comic book heroes on the big screen

Kevin Lu

11) Horror and the sublime: Psychology, transcendence and the role of terror

Christopher Hauke

12) Hungry children and starving fathers: auteurist notions of father hunger in American Beauty

Toby Reynolds

13) Beyond the male hero myth in Clint Eastwood films

Steve Myers

14) True detective and Jung’s four steps of transformation

Stephen Anthony Farah

15) Film futuristics: A forecasting methodology

Michael Glock

Transnational Approaches – Section Editor: Terrie Waddell

16) The Australian lost child complex in adaptation: Kurzel’s Macbeth and Stone’s The daughter

Terrie Waddell

17) Numinous images of a new ethic: A Jungian eiew of Kieslowski’s The decalogue

Judith R. Cooper and August J. Cwik

18) The han cultural complex: Embodied experiences of trauma in New Korean Cinema

Amalya Layla Ashman

19) The outsider protagonist in American film

Glen Slater

20) Spirited Away and its depiction of Japanese traditional culture

Megumi Yama

21) Cold comforts: Psychical and cultural schisms in The Bridge and Fortitude

Alec Charles

22) Cultural hegemonies of forms and representations: Russian fairy tale women and Post-Jungian thought

Nadi Fadina

Clinical Approaches – Section Editor: Luke Hockley

23) Feeling film: Time, space and the third image

Luke Hockley

24) Getting your own pain: A personal account of healing dissociation with help from the film War Horse

Donald E. Kalsched

25) Healing the holes in time: Film and the art of trauma

Angela Connolly

26) Discovering the meaning of a film

John Beebe

27) Under the skin: Images as the language of the unconscious

Joanna Dovalis and John Izod

Approaches Post-Cinema – Section Editor: Greg Singh

28) Beyond the second screen: Enantiodromia and the running-together of connected viewing

Greg Singh

29) Anima ludus: Analytical psychology, phenomenology and digital gamesSteve Conway

30) Cinema without a cinema and film without film: the psychogeography of contemporary media consumption

Aaron Balick

31) Digital media as textual theory: Audiovisual, pictorial and data analyses of Alien and Aliens

Andrew McWhirter

32) A networked imagination: Myth-making in fan fic’s story and soul

Leigh Melander

33) The unlived lives of cinema: Post-cinematic doubling, imitation and supplementarity

Kelli Fuery