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Japan's Musical Tradition

Hogaku from Prehistory to the Present
Buch | Softcover
152 Seiten
2020
McFarland & Co Inc (Verlag)
978-1-4766-7559-6 (ISBN)
39,85 inkl. MwSt
Reveals shortcomings in the usual interpretation of Japanese music from a pitch-based Western perspective and carefully explores how the quintessential musical elements of singing, instrumental accompaniment, scale, and format were transmitted from their Shinto inception through all of Japan's music.
What makes Japanese music sound Japanese? Each genre of Japan's pre-Western music (hogaku) morphed from the preceding one with singing at its foundation. In ancient Shinto prayers, words of power recited in a prescribed cadence communicated veneration and community needs to the divine spirit (kami). From the prayers, Japan's word-based music gained support with simple percussion and stringed instruments. More sophisticated recitations evolved with biwa, shamisen, and koto accompaniment.

This study reveals shortcomings in the usual interpretation of Japanese music from a pitch-based Western perspective and carefully explores how the quintessential musical elements of singing, instrumental accompaniment, scale, and format were transmitted from their Shinto inception through all of Japan's music. Japan's culture, including the iemoto system and teaching methods, served to exactly replicate Japan's music for centuries. Considering Japan's music in the context of its own culture, logic, and sources is essential to gaining a clear understanding of Japan's music and dissipating the mystery of the music's "Japaneseness." Greater appreciation for the music inevitably follows.

Miyuki Yoshikami taught Honors courses on the Japanese performing arts at the University of Maryland. She performs professionally on the koto at the Kennedy Center, Freer Gallery, the National Cathedral, and with the National Symphony Orchestra. She lives in Bethesda, Maryland.

Table of Contents


Acknowledgments

Preface

Introduction

1. Aesthetic Heritage

2. Ancient Music and Its Properties

3. Simple Instruments

4. Two Modes and Tuning of the Instruments

5. Singing the Uta (Song/Poetry)

6. The Format of Continuity in Hogaku Compositions

7. Decorating the Melodic Line

8. Why We Are Able to Hear Ancient Music Today: The Iemoto System

9. The West, Hogaku Today and the Future

Epilogue

Glossary

Chapter Notes

Bibliography

Index

Erscheinungsdatum
Zusatzinfo 100 photos
Verlagsort Jefferson, NC
Sprache englisch
Maße 152 x 229 mm
Themenwelt Kunst / Musik / Theater Musik
Geisteswissenschaften Geschichte
Sozialwissenschaften Ethnologie
Sozialwissenschaften Soziologie
ISBN-10 1-4766-7559-7 / 1476675597
ISBN-13 978-1-4766-7559-6 / 9781476675596
Zustand Neuware
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