Philippe Garrel
Seiten
2020
Manchester University Press (Verlag)
978-1-78499-139-5 (ISBN)
Manchester University Press (Verlag)
978-1-78499-139-5 (ISBN)
Described by Deleuze as ‘one of the greatest modern auteurs’, Philippe Garrel is perhaps the most significant filmmaker to emerge in France after the New Wave. This study offers an overview of his work, exploring its intersections with avant-gardes including the Situationists, Surrealism, Arte Povera and the American Underground. -- .
Described by Giles Deleuze as ‘one of the greatest modern auteurs’, Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director’s influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel’s relationship with other members of the so-called ‘post-New Wave’, including Jean Eustache and Chantal Akerman. The first book on Garrel’s cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies. -- .
Described by Giles Deleuze as ‘one of the greatest modern auteurs’, Philippe Garrel is widely acknowledged as the most significant filmmaker to emerge in France after the New Wave. His deeply personal cinema traces the troubled sentimental lives of couples, exploring the relationship between art and political struggle. This study observes the eclecticism of the director’s influences, looking to avant-garde movements such as the Situationists, Surrealism, Arte Povera and the American Underground, in order to explore his original body of work. Consideration is also given to Garrel’s relationship with other members of the so-called ‘post-New Wave’, including Jean Eustache and Chantal Akerman. The first book on Garrel’s cinema to appear in English, it will appeal to Garrel enthusiasts as well as to students and lecturers specialising in film studies or French studies. -- .
Michael Leonard teaches at the Sorbonne Université, Paris -- .
Introduction: Philippe Garrel, an irregular auteur
1 Cinema and revolution
2 Cinema of the underground
3 Narrative turn: Autobiography and the imaginary self
4 Dialogues
5 Past and future generations
Conclusion
Filmography
Select bibliography
Index -- .
Erscheinungsdatum | 10.05.2021 |
---|---|
Reihe/Serie | French Film Directors Series |
Zusatzinfo | 12 black & white illustrations |
Verlagsort | Manchester |
Sprache | englisch |
Maße | 129 x 198 mm |
Gewicht | 381 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-78499-139-2 / 1784991392 |
ISBN-13 | 978-1-78499-139-5 / 9781784991395 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Eine Einführung
Buch | Softcover (2022)
Springer VS (Verlag)
32,99 €
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …
Buch | Hardcover (2023)
Heyne (Verlag)
22,00 €
eine jüdische Filmgeschichte der Bundesrepublik
Buch | Hardcover (2023)
Hanser (Verlag)
28,00 €