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Democratising Beauty in Nineteenth-Century Britain

Art and the Politics of Public Life

(Autor)

Buch | Softcover
316 Seiten
2019
Cambridge University Press (Verlag)
978-1-316-63534-6 (ISBN)
38,65 inkl. MwSt
Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to ideals of equality, liberty and individuality. Including numerous illustrations, the volume offers a fresh interdisciplinary understanding of art's relation to its public.
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.

Lucy Hartley is Professor of English at the University of Michigan, Ann Arbor. She is the author of Physiognomy and the Meaning of Expression in Nineteenth-Century Culture (Cambridge, 2001), and essays on a wide range of subjects including intellectual history and art history, John Stuart Mill and Alexis de Tocqueville, and nineteenth-century aesthetic theories. She is the editor of The History of British Women's Writing, 1830–1880 (2018).

1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty.

Erscheinungsdatum
Reihe/Serie Cambridge Studies in Nineteenth-Century Literature and Culture
Zusatzinfo Worked examples or Exercises; 1 Tables, black and white; 35 Halftones, black and white
Verlagsort Cambridge
Sprache englisch
Maße 170 x 240 mm
Gewicht 550 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Sozialwissenschaften
ISBN-10 1-316-63534-1 / 1316635341
ISBN-13 978-1-316-63534-6 / 9781316635346
Zustand Neuware
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