Italian Modern Art in the Age of Fascism
Seiten
2019
Routledge (Verlag)
978-0-367-19627-1 (ISBN)
Routledge (Verlag)
978-0-367-19627-1 (ISBN)
This book examines the work of several avant-garde artists, including Giorgio de Chirico, Fortunato Depero, Scipione and Mario Radice, working in Italy during Benito Mussolini’s rise and fall.
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
Anthony White is Senior Lecturer in the School of Culture and Communication at the University of Melbourne, Australia.
Chapter 1 – Introduction: Modernism, Fascism and Cultural Rebirth; Chapter 2 – The Folk Machine: Fortunato Depero’s Cloth Pictures, 1919 - 1927; Chapter 3 – The Men Who Turn Around: Scipione and Religion in 1930; Chapter 4 – Mario Radice: Abstraction and Architecture, 1934 – 2014; Chapter 5 – Conclusion: Recreations and the Fascist Age
Erscheinungsdatum | 31.07.2019 |
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Reihe/Serie | Routledge Research in Art and Politics |
Zusatzinfo | 8 Illustrations, color; 51 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 174 x 246 mm |
Gewicht | 589 g |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Systeme | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
ISBN-10 | 0-367-19627-1 / 0367196271 |
ISBN-13 | 978-0-367-19627-1 / 9780367196271 |
Zustand | Neuware |
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