Testing Coherence in Narrative Film - Katerina Virvidaki

Testing Coherence in Narrative Film

Buch | Softcover
IX, 218 Seiten
2018 | 1. Softcover reprint of the original 1st ed. 2017
Springer International Publishing (Verlag)
978-3-319-87254-4 (ISBN)
74,89 inkl. MwSt
This book examines the concept of coherence in film studies. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence.

This book examines the concept of coherence in film studies. It asks if there are ways to appreciate the achievement of coherence in narrative films that are characterised by an eccentric or difficult style, as well as by an apparently confusing intelligibility. In order to answer this critical question, the author argues that we need to reconsider the predominant understanding of the concept of coherence in film studies. Virvidaki identifies how a general function of coherence is manifested through the aesthetic of transparency and unobtrusiveness of classical Hollywood film. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence. Testing Coherence in Narrative Film will appeal to film and philosophy scholars interested in aesthetics and narrative form.

Katerina Virvidaki completed her D.Phil. in English (Film Studies) at the University of Oxford in 2015. She has taught Philosophical Aesthetics at The National Technical University of Athens (Department of Humanities, Social Sciences and Law) and she has also been working as a curriculum developer, organising educational programs on art and philosophy (The American College of Greece, Pierce College). She currently teaches Film and Adult Education at the Hellenic Open University (Master's in Adult Education M.Ed.).

1. Introduction: Is 'Coherence' Just a Style?.- 2. PART I - Chapter 2: Interrogating Problems of Coherence in Narrative Film.- 3. The Elusive: Max Ophuls' Madame De....- 4. PART II - Chapter 4: The Unbelievable: Carl-Theodor Dreyer's Ordet.- 5. The Fragmented: Jean-Luc Godard's Passion.- 6. The Digressive: Quentin Tarantino's Pulp Fiction.- 7. The Inexpressible: Terrence Malick's The Thin Red Line.- 8. Conclusion.

Erscheint lt. Verlag 24.8.2018
Reihe/Serie Palgrave Close Readings in Film and Television
Zusatzinfo IX, 218 p. 12 illus.
Verlagsort Cham
Sprache englisch
Maße 148 x 210 mm
Gewicht 303 g
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Schlagworte Aesthetics • Classical Hollywood • dramatic • G. Wilson • Intelligibility • Meaning in film • Style in film • UNITY • V.F. Perkins
ISBN-10 3-319-87254-0 / 3319872540
ISBN-13 978-3-319-87254-4 / 9783319872544
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …

von Joachim Bauer

Buch | Hardcover (2023)
Heyne (Verlag)
22,00
eine jüdische Filmgeschichte der Bundesrepublik

von Lea Haselberg; Johannes Praetorius-Rhein; Erik Riedel …

Buch | Hardcover (2023)
Hanser (Verlag)
28,00
Konzept und Produktion

von Hannes Rall

Buch | Softcover (2023)
Herbert von Halem Verlag
37,00