Migrant Anxieties (eBook)

Italian Cinema in a Transnational Frame

(Autor)

eBook Download: EPUB
2019
328 Seiten
Indiana University Press (Verlag)
978-0-253-03720-6 (ISBN)

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Migrant Anxieties -  Aine O'Healy
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During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Aine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.

lt;P>Áine O'Healy is Professor of Modern Languages and Literatures at Loyola Marymount University. She is editor (with Katarzyna Marciniak and Anikó Imre) of Transnational Feminism in Film and Media.

Acknowledgments
Introduction
1. After 1989: Projecting the Balkans
2. Traffic from the East: Gender, Labor, and Biopolitics
3. African Immigration in the 1990s
4. Migration, Masculinity, and Italy's New Urban Geographies
5. Imagining an Expanded Mediterranean Borderscape
6. Living with Difference: From Noir to Melodrama
Afterword: Accented and Transnational Filmmaking in Italy
Filmography
Bibliography
Index

Erscheint lt. Verlag 24.1.2019
Reihe/Serie New Directions in National Cinemas
New Directions in National Cinemas
Zusatzinfo 30 b&w illus.
Verlagsort Bloomington
Sprache englisch
Maße 150 x 150 mm
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Schlagworte accented filmmaking • affective surrogacy • Albania • Ambivalence • Arab Migrants • Balkans • Biopolitics • black African migrants • Border Management • border management, irregular migration, remapping, Mediterranean, Lampedusa, film genre, comedy, noir, melodrama, cultural hybridity, differential inclusion, racial tensions, identification • Borders • borderscapes • Care Work • Comedy • Coming-of-age • Corporeality • Cultural Hybridity • differential inclusion • disidentification • disidentification, postcolonial, national imaginary, transcultural, transmigrant filmmakers, accented filmmaking, second-generation filmmakers, hybrid identities, film studies, Italian studies • dispossession • Eastern Europe • Female migration • film genre • Film Studies • Former Yugoslavia • former Yugoslavia, Lega Nord, populism, race, Italian whiteness, reproduction, postcolonial, sexuality, corporeality, female migration, Eastern Europe, trafficking, affective surrogacy, biopolitics • Gender • Hospitality • hybrid identities • Identification • Immigration • Irregular migration • Italian Cinema • Italian studies • Italian whiteness • Italy • Italy, Balkans, borders, post-communism, mass immigration, Albania • IUP, IU Press, Indiana University Press, Migrant Anxieties, Italian Cinema in a Transnational Frame, Áine O'Healy, Italy, Balkans, borders, post-communism, mass immigration, Albania • Lampedusa • Lega Nord • Male • male subjectivities • Masculinity • mass immigration • media • Mediterranean • Melodrama • Migrant • migrant locations • migrant locations, new landscapes, coming-of-age, transcultural encounters, male subjectivities, dispossession, neoliberal economy, hospitality, spectrality, borderscapes, migratory policies • Migrant Studies • migrant studies, immigration, gender, Italian cinema, Italy, media, theory • Migration • migratory policies • national imaginary • Neoliberal Economy • new landscapes • Noir • Populism • Postcolonial • Post-Communism • Race • racial tensions • Racism • Remapping • Reproduction • second-generation filmmakers • Sexuality • Sex Work • Spectrality • theory • Trafficking • transcultural • Transcultural Encounters • transmigrant filmmakers • urban peripheries • women’s labor • women’s labor, reproduction, sex work, care work, race, racism, Arab migrants, black African migrants, ambivalence, postcolonial, migrant, migration, male, masculinity, urban peripheries
ISBN-10 0-253-03720-4 / 0253037204
ISBN-13 978-0-253-03720-6 / 9780253037206
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