L.A. Private Eyes
Seiten
2019
Rutgers University Press (Verlag)
978-0-8135-9637-2 (ISBN)
Rutgers University Press (Verlag)
978-0-8135-9637-2 (ISBN)
Examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930s to the present. The book takes a closer look at narratives in which detectives travel the streets of LA, uncovering corruption, moral ambiguity, and greed, while always ultimately finding truth and redemption.
L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930’s through the present day. It takes a closer look at narratives—both on screen and on the printed page—in which detectives travel the streets of Los Angeles, uncovering corruption, moral ambiguity, and greed with the conviction of urban cowboys, while always ultimately finding truth and redemption. With a review of Los Angeles history, crime stories, and film noir, L.A. Private Eyes explores the metamorphosis of the solitary detective figure and the many facets of the genre itself, from noir to mystery, on the screen. While the conventions of the genre may have remained consistent and recognizable, the points where they evolve illuminate much about our changing gender and power roles.
Watch a video of the author speaking about this topic: https://goo.gl/Xr9RFD
And also: https://www.dropbox.com/s/mkqw3mplruf7jje/Detective%20Talk%20Full.mp4?dl=0 (https://www.dropbox.com/s/mkqw3mplruf7jje/Detective%20Talk%20Full.mp4?dl=0)
L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930’s through the present day. It takes a closer look at narratives—both on screen and on the printed page—in which detectives travel the streets of Los Angeles, uncovering corruption, moral ambiguity, and greed with the conviction of urban cowboys, while always ultimately finding truth and redemption. With a review of Los Angeles history, crime stories, and film noir, L.A. Private Eyes explores the metamorphosis of the solitary detective figure and the many facets of the genre itself, from noir to mystery, on the screen. While the conventions of the genre may have remained consistent and recognizable, the points where they evolve illuminate much about our changing gender and power roles.
Watch a video of the author speaking about this topic: https://goo.gl/Xr9RFD
And also: https://www.dropbox.com/s/mkqw3mplruf7jje/Detective%20Talk%20Full.mp4?dl=0 (https://www.dropbox.com/s/mkqw3mplruf7jje/Detective%20Talk%20Full.mp4?dl=0)
DAHLIA SCHWEITZER is a professor at Art Center College of Design in Pasadena, California. She is also the author of Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press).
CONTENTS
Introduction
1 Los Angeles
2 The Detective Story
3 The Detective
4 The Black Detective
5 The Lady Dick
6 The Girl Sleuth
Acknowledgments
Further Reading
Works Cited
Index
Erscheinungsdatum | 19.04.2019 |
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Verlagsort | New Brunswick NJ |
Sprache | englisch |
Maße | 114 x 178 mm |
Gewicht | 227 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-8135-9637-8 / 0813596378 |
ISBN-13 | 978-0-8135-9637-2 / 9780813596372 |
Zustand | Neuware |
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