Modern Bodies
Dance and American Modernism from Martha Graham to Alvin Ailey
Seiten
2002
|
New edition
The University of North Carolina Press (Verlag)
978-0-8078-2698-0 (ISBN)
The University of North Carolina Press (Verlag)
978-0-8078-2698-0 (ISBN)
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This text exposes the social dynamics that shaped American modernism and moved dance to the edges of society. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a confrontational view of American democracy.
This text exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. It was in 1930 that dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamaris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. However, modern dance was distinct from other artistic genres in that it attracted many different sections of society. Women held leading roles in the development of modern dance both on and off stage, gay men recast the effeminacy often associated with dance into hardened, heroic, American athleticism and African Americans contributed elements of social, African, and Caribbean dance. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist.
This text exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. It was in 1930 that dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamaris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. However, modern dance was distinct from other artistic genres in that it attracted many different sections of society. Women held leading roles in the development of modern dance both on and off stage, gay men recast the effeminacy often associated with dance into hardened, heroic, American athleticism and African Americans contributed elements of social, African, and Caribbean dance. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist.
JULIA FOULKES is a core faculty member of New School University in New York City, where she teaches history.
Erscheint lt. Verlag | 30.9.2002 |
---|---|
Reihe/Serie | Cultural Studies of the United States |
Verlagsort | Chapel Hill |
Sprache | englisch |
Maße | 156 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
Geschichte ► Allgemeine Geschichte ► 1918 bis 1945 | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 0-8078-2698-7 / 0807826987 |
ISBN-13 | 978-0-8078-2698-0 / 9780807826980 |
Zustand | Neuware |
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