Wonder and Cruelty - Steven Johnston

Wonder and Cruelty

Ontological War in It’s a Wonderful Life

(Autor)

Buch | Hardcover
124 Seiten
2018
Lexington Books (Verlag)
978-1-4985-8362-6 (ISBN)
94,75 inkl. MwSt
This book looks at why Frank Capra’s It’s a Wonderful Life is either the most inspirational or the cruelest film American cinema has ever produced. It depicts, perhaps unwittingly, an ontological war in which two well-matched adversaries fight a series of pitched battles that neither side can win without producing tragic remainders.
It’s a Wonderful Life is an American film classic celebrated for its inspirational character. Famously shown during the holiday season, it brings families together in the spirit of mutual love and support. It tells the story of George Bailey, who turns suicidal one Christmas Eve after decades of frustration and sacrifice in which his dreams are repeatedly shattered for the good of others. George is convinced that his life is anything but wonderful. Enter Clarence, his guardian angel, who must find a way to get George to appreciate his family, friends, and all the good he does in life. Clarence does find a way and George returns to his family at film’s close. This might seem like a fairy-tale ending, but it is anything but convincing, which should come as no surprise since the film rehearses an ontological war between contending parties with rival conceptions of what it means to lead a meaningful life. It is a rather one-sided conflict as George finds himself more or less alone in the world. He has been trying to escape his hometown his entire life in order to pursue his Promethean vision in the wider world. To prevent this, God dispatches Clarence to get George to heel. He resorts to a kind of transcendental terrorism to force George to return home and believe it was his own idea. Yet what does it say about a form of life when it resorts to such means to prevail in an existential contest? From a Nietzschean perspective, it is possible to illuminate the film’s extraordinary cruelty. Despite appearances, George’s restoration is temporary at best and there is every reason to believe that eventually he will try to take his life again. Tragically, George must leave Bedford Falls and those who love him must insist that he go.

Steven Johnston is Neal A. Maxwell Presidential Chair at the University of Utah.

A Tale of Two Films: “It was the story I had been looking for all my life.”

Ontological Context: “George Bailey. Yes, tonight’s his crucial night.”

Eternal Return: “I’m leaving right now. . ..This is my last chance.”

The Gentle Face of Transcendental Terrorism: “You see, George, you really had a wonderful life.”

Responsible Subjectivity: “George Bailey, I’ll love you till the day I die.”

The Day After: “What are you but a warped, frustrated young man?”

The Specter of Pottersville: “You’ll see a lot of strange things from now on.”

Wonder and Cruelty: “Get me back. I don’t care what happens to me.”

Romance or Tragedy? “To my big brother, George. The richest man in town.”

Erscheinungsdatum
Reihe/Serie Politics, Literature, & Film
Verlagsort Lanham, MD
Sprache englisch
Maße 159 x 231 mm
Gewicht 327 g
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Politik / Verwaltung Politische Theorie
ISBN-10 1-4985-8362-8 / 1498583628
ISBN-13 978-1-4985-8362-6 / 9781498583626
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Geschichte, Vordenker, Organisationen

von Tilman Seidensticker

Buch | Softcover (2023)
C.H.Beck (Verlag)
12,00