Sternberg and Dietrich - James Phillips

Sternberg and Dietrich

The Phenomenology of Spectacle

(Autor)

Buch | Hardcover
136 Seiten
2019
Oxford University Press Inc (Verlag)
978-0-19-091524-7 (ISBN)
84,80 inkl. MwSt
Sternberg and Dietrich: The Phenomenology of Spectacle explores the philosophical questions broached by the films Josef von Sternberg and Marlene Dietrich made together at Paramount in the early 1930s. These are films that rethink faith, appearance, the image of women, the treatment of history and the sense of the world.
James Phillips's Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894-1969) and the German-American actor Marlene Dietrich (1901-92). Considered by his contemporaries one of the most significant directors of interwar Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual mores of the times and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg's direction Paramount's sound stages became laboratories for novel thought experiments. Analysing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the "cinematic philosophy" that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamour: Dietrich emerges here as a woman who is at ease in the world without being at home in it, an image of autonomy whose critical potential has yet to be realized, let alone exhausted.

James Phillips is Associate Professor in Philosophy at the University of New South Wales, Sydney. He has published numerous articles on film, philosophy, and literature. He is also the author of Heidegger's Volk: Between National Socialism and Poetry (2005) and The Equivocation of Reason: Kleist Reading Kant (2007) and the editor of Cinematic Thinking (2008).

Introduction: Dietrich's Face and the Talking Picture
1. Shanghai Express: Making Room for Faith in Appearances
2. Blonde Venus: A Sale of Two Bodies
3. The Scarlet Empress: History as Farce
4. The Devil Is a Woman: Against the Off-Screen
Conclusion: Towards an Ethics of the Moving Image
Notes
Index

Erscheinungsdatum
Zusatzinfo 9 illustrations
Verlagsort New York
Sprache englisch
Maße 239 x 155 mm
Gewicht 363 g
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 0-19-091524-2 / 0190915242
ISBN-13 978-0-19-091524-7 / 9780190915247
Zustand Neuware
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