Music and Politics
A Critical Introduction
Seiten
2018
Cambridge University Press (Verlag)
978-1-107-68108-8 (ISBN)
Cambridge University Press (Verlag)
978-1-107-68108-8 (ISBN)
Changes our picture of how music and politics interact through a rigorous reappraisal of key concepts such as protest, resistance, power, propaganda, and ideology. This book explores and evaluates a wide range of perspectives from contemporary political theory, applying them to a broad collection of musical cultures and practices.
This book is not about music or politics. It is about the 'and' that binds them together. How do these fields intersect, and what theories and approaches can help us understand their interactions? How have the relationships between music and politics changed over time and across cultures, and are the familiar tools we use in dealing with them fit for purpose? This book overhauls our understanding of how these fields interact, offering a rigorous reappraisal of key concepts such as power, protest, resistance, subversion, propaganda, and ideology. It explores and evaluates a wide range of perspectives from contemporary political theory, engaging with an array of musical cultures and practices from medieval chant to rap. In addition, it discusses current ways in which the relationships between music and politics are being reconfigured and reconceptualised. Where else can you find Donald Trump, Kendrick Lamar and Beethoven under one cover?
This book is not about music or politics. It is about the 'and' that binds them together. How do these fields intersect, and what theories and approaches can help us understand their interactions? How have the relationships between music and politics changed over time and across cultures, and are the familiar tools we use in dealing with them fit for purpose? This book overhauls our understanding of how these fields interact, offering a rigorous reappraisal of key concepts such as power, protest, resistance, subversion, propaganda, and ideology. It explores and evaluates a wide range of perspectives from contemporary political theory, engaging with an array of musical cultures and practices from medieval chant to rap. In addition, it discusses current ways in which the relationships between music and politics are being reconfigured and reconceptualised. Where else can you find Donald Trump, Kendrick Lamar and Beethoven under one cover?
James Garratt is Senior Lecturer in Music at the University of Manchester. His publications include Music, Culture and Social Reform in the Age of Wagner (Cambridge, 2010) and Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge, 2002).
1. Music and politics: key concepts and issues; 2. Power and counterpower; 3. History, ideology and the politics of context; 4. Propaganda, ritual and sovereign power; 5. Performing protest: music and activism; 6. Critique, subversion and negation; 7. Nationalism, racism and fascism.
| Erscheinungsdatum | 08.11.2018 |
|---|---|
| Zusatzinfo | 1 Tables, black and white; 6 Halftones, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 173 x 246 mm |
| Gewicht | 510 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-107-68108-1 / 1107681081 |
| ISBN-13 | 978-1-107-68108-8 / 9781107681088 |
| Zustand | Neuware |
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