Beyoncé in Formation - Omise'eke Natasha Tinsley

Beyoncé in Formation

Remixing Black Feminism
Buch | Softcover
216 Seiten
2018
University of Texas Press (Verlag)
978-1-4773-1839-3 (ISBN)
18,65 inkl. MwSt
In this enthralling, empowering “mixtape” memoir, a visionary feminist scholar retraces her personal journey while reflecting on the painful legacies and exhilarating liberations that permeate Beyoncé’s game-changing Lemonade album.
Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives.

Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade” mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself,” Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons,” interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation,” underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics.

In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.

Omise’eke Natasha Tinsley is an associate professor of African and African Diaspora studies and associate director of the Center for Women’s and Gender Studies at the University of Texas at Austin, where she teaches the popular course Beyoncé Feminism, Rihanna Womanism. Tinsley is the author of Thiefing Sugar: Eroticism between Women in Caribbean Literature and Ezili’s Mirrors: Imagining Black Queer Genders.

Introduction: For the Texas Bama Femme
Family Album: Making Lemonade Out of Marriage, Motherhood, and Southern Tradition

Queen Bee Blues
Mama Said Shoot


“Most Bomb Pussy”: Toward a Black Feminist Pleasure Politics

Love the Grind
Unapologetically Femme


Calling for Freedom: Black Women’s Activism in the US South

Freedom, Too
I Came to Slay


Outro: I Know Beyoncé Loves Black Femmes
Acknowledgments
Notes
Index

Erscheinungsdatum
Verlagsort Austin, TX
Sprache englisch
Maße 140 x 216 mm
Gewicht 286 g
Themenwelt Kunst / Musik / Theater Musik Allgemeines / Lexika
Kunst / Musik / Theater Musik Jazz / Blues
Sozialwissenschaften Ethnologie
Sozialwissenschaften Soziologie
ISBN-10 1-4773-1839-9 / 1477318399
ISBN-13 978-1-4773-1839-3 / 9781477318393
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
die Geschichte der Schallplatte

von Gillian G. Gaar; Martin Popoff; Richie Unterberger

Buch | Hardcover (2024)
Prestel (Verlag)
36,00

von Walther Dürr; Michael Kube; Uwe Schweikert

Buch | Hardcover (2023)
Bärenreiter (Verlag)
55,00