Cinematic Intermediality
Theory and Practice
Seiten
2021
Edinburgh University Press (Verlag)
978-1-4744-4634-1 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-4634-1 (ISBN)
This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. With essays by leading researchers and practitioners, this book investigates cinema's productive synergies and crossovers with the other arts through a broad range of avant-garde and experimental work. Mapping a trajectory from pre-cinema to the digital era, the book considers the impact of technological materiality on intermedial expression, incorporating both mainstream and experimental practice, world cinema and peripheral cinemas. Bridging the gap between theory and practice, it opens up new pathways for thinking about how intermediality, as both a creative method and an interpretative paradigm, might be explored alongside probing questions of what cinema is, has been and can be.
Dr Kim Knowles is Lecturer in Film Studies at the University of Aberystwyth Marion Schmid is Professor of French Literature and Film at the University of Edinburgh. She is the author of Chantal Akerman (2010), Proust dans la decadence (2008), Proust at the Movies (2005, co-authored with Martine Beugnet) and Processes of Literary Creation: Flaubert and Proust (1998).
Erscheinungsdatum | 09.03.2021 |
---|---|
Reihe/Serie | Edinburgh Studies in Film and Intermediality |
Zusatzinfo | 27 B/W illustrations |
Verlagsort | Edinburgh |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-4744-4634-5 / 1474446345 |
ISBN-13 | 978-1-4744-4634-1 / 9781474446341 |
Zustand | Neuware |
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