Cultural Conflict in Hong Kong -

Cultural Conflict in Hong Kong (eBook)

Angles on a Coherent Imaginary
eBook Download: PDF
2018 | 1st ed. 2018
XXIII, 324 Seiten
Springer Singapore (Verlag)
978-981-10-7766-1 (ISBN)
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This book examines how in navigating Hong Kong's colonial history alongside its ever-present Chinese identity, the city has come to manifest a conflicting socio-cultural plurality.  Drawing together scholars, critics, commentators, and creators on the vanguard of the emerging field of Hong Kong Studies, the essay volume presents a gyroscopic perspective that discerns what is made in from what is made into Hong Kong while weaving a patchwork of the territory's contested local imaginary. This collection celebrates as it critiques the current state of Hong Kong society on the 20th anniversary of its handover to China. The gyroscopic outlook of the volume makes it a true area studies book-length treatment of Hong Kong, and a key and interdisciplinary read for students and scholars wishing to explore the territory's complexities.



Jason S. Polley is Associate Professor of literary journalism, postmodernism, and poststructuralism at Hong Kong Baptist University. His research interests include post-WWII graphic forms, media analysis, Hong Kong Studies, and Anglo-Indian fiction. His creative nonfiction books are Refrain (2010) and Cemetery Miss You (2011). His monograph is Jane Smiley, Jonathan Franzen, Don DeLillo: Narratives of Everyday Justice (2011).

Vinton W.K. Poon is a Lecturer at the Master of Arts Programme at Hong Kong Baptist University. He teaches and researches discourse, history of linguistics, as well as language and politics.

Lian-Hee Wee is Professor of linguistics at Hong Kong Baptist University and has co-authored/edited six volumes and numerous book chapters and articles, largely on phonology. His phonetic-learning APP (AV Phonetics) has been downloaded more than 10,000 times by students and faculty of linguistics, psychology and music around the world.


This book examines how in navigating Hong Kong's colonial history alongside its ever-present Chinese identity, the city has come to manifest a conflicting socio-cultural plurality. Drawing together scholars, critics, commentators, and creators on the vanguard of the emerging field of Hong Kong Studies, the essay volume presents a gyroscopic perspective that discerns what is made in from what is made into Hong Kong while weaving a patchwork of the territory's contested local imaginary. This collection celebrates as it critiques the current state of Hong Kong society on the 20th anniversary of its handover to China. The gyroscopic outlook of the volume makes it a true area studies book-length treatment of Hong Kong, and a key and interdisciplinary read for students and scholars wishing to explore the territory's complexities.

Jason S. Polley is Associate Professor of literary journalism, postmodernism, and poststructuralism at Hong Kong Baptist University. His research interests include post-WWII graphic forms, media analysis, Hong Kong Studies, and Anglo-Indian fiction. His creative nonfiction books are Refrain (2010) and Cemetery Miss You (2011). His monograph is Jane Smiley, Jonathan Franzen, Don DeLillo: Narratives of Everyday Justice (2011). Vinton W.K. Poon is a Lecturer at the Master of Arts Programme at Hong Kong Baptist University. He teaches and researches discourse, history of linguistics, as well as language and politics. Lian-Hee Wee is Professor of linguistics at Hong Kong Baptist University and has co-authored/edited six volumes and numerous book chapters and articles, largely on phonology. His phonetic-learning APP (AV Phonetics) has been downloaded more than 10,000 times by students and faculty of linguistics, psychology and music around the world.

Introduction: Made Into Hong Kong.- Part I: Surveillance.- Turning English into Cantonese: The Semantic Change of English Loanwords.- Beehives and Wet Markets: Expat Metaphors of Hong Kong.- Hong Kong Paradox: Appearance and Disappearance in Western Cinema.- Hong Kong Diversity in Anglophone Children’s Fiction.- Ann Hui’s Allegorical Cinema.- Part II:       Sousveillance.- Approaching Linguistic Norms: The Case of/for Hong Kong English on the Internet.- Hong Kong’s Edward Snowden/Edward Snowden’s Hong Kong.- The Lazy Element: LMF and the Localization of Hip Hop Authenticity.- Worlding Hong Kong Literature: Dung Kai-cheung’s Atlas.- Writing Hong Kong’s Ethos.- Part III:      Equiveillance.- Chiaroscuro of the Uncanny: An Unknown Side of Old Master Q.- “I didn’t think we’d be like them”; or, Wong Kar Wai, Hongkonger.- Becoming Hong Kong-like: The Role of Hong Kong English in the Acquisition of English Phonology by Hong Kong Students.- Struggling to become non-Hong-Kong-like: The Necessity and Effectiveness of Training Hong Kong Youngsters’ Perception and Production of General American English Vowel.- Glocalizing Hong Kong Anglophone Literature: Locating Xu Xi’s Writing Across the Decades.

Erscheint lt. Verlag 28.3.2018
Zusatzinfo XXIII, 324 p. 23 illus.
Verlagsort Singapore
Sprache englisch
Themenwelt Geschichte Teilgebiete der Geschichte Wirtschaftsgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Geisteswissenschaften Sprach- / Literaturwissenschaft Sprachwissenschaft
Sozialwissenschaften Politik / Verwaltung
Sozialwissenschaften Soziologie
Schlagworte cultural conflict in post colonial societies • cultural elements and the Hong Kong imaginary • Hong Kong identities and cultures • Hong Kong territory as a unified community and space • Linguistic, literary, and cultural representations of Hong Kong • Post colonialism and Hong Kong identities
ISBN-10 981-10-7766-5 / 9811077665
ISBN-13 978-981-10-7766-1 / 9789811077661
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