Four from the Forties
Arliss, Crabtree, Knowles and Huntington
Seiten
2018
Manchester University Press (Verlag)
978-1-5261-1054-1 (ISBN)
Manchester University Press (Verlag)
978-1-5261-1054-1 (ISBN)
This is a book for those who love British cinema and want to know more about its rise to popularity in the 1940s. The ‘quality’ films of the decade have been thoroughly explored already, but this book looks at the films the public actually went to see, and provides detailed information on the directors behind them. -- .
The ‘Gainsborough melodramas’ were a mainstay of 1940s British cinema, and helped make the careers of such stars as Margaret Lockwood, James Mason and Stewart Granger. But what was unique about these films? And who were the directors behind them? This book presents four key filmmakers, each with his own talents and specialities. It traces their professional lives through the highs of the 1940s, when the popularity of Gainsborough films was at its peak, to the tougher decades that followed the genre’s decline. Featuring expert analysis of such films as The Man in Grey (1943), Madonna of the Seven Moons (1945) and The Upturned Glass (1947), alongside valuable historical context, the book constitutes the first extended examination of this group of directors. It combines critical acumen with readability, making it a valuable resource for students, lecturers and general readers alike. -- .
The ‘Gainsborough melodramas’ were a mainstay of 1940s British cinema, and helped make the careers of such stars as Margaret Lockwood, James Mason and Stewart Granger. But what was unique about these films? And who were the directors behind them? This book presents four key filmmakers, each with his own talents and specialities. It traces their professional lives through the highs of the 1940s, when the popularity of Gainsborough films was at its peak, to the tougher decades that followed the genre’s decline. Featuring expert analysis of such films as The Man in Grey (1943), Madonna of the Seven Moons (1945) and The Upturned Glass (1947), alongside valuable historical context, the book constitutes the first extended examination of this group of directors. It combines critical acumen with readability, making it a valuable resource for students, lecturers and general readers alike. -- .
Brian McFarlane is Adjunct Professor at Swinburne University of Technology, Melbourne and editor of the Encyclopedia of British film -- .
Introduction
1 Leslie Arliss
2 Arthur Crabtree
3 Bernard Knowles
4 Lawrence Huntington
Afterword
Index -- .
Erscheinungsdatum | 10.01.2019 |
---|---|
Reihe/Serie | British Film-Makers |
Zusatzinfo | 19 black & white illustrations |
Verlagsort | Manchester |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 449 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-5261-1054-7 / 1526110547 |
ISBN-13 | 978-1-5261-1054-1 / 9781526110541 |
Zustand | Neuware |
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