Childhood and Nation in Contemporary World Cinema
Bloomsbury Academic USA (Verlag)
978-1-5013-4398-8 (ISBN)
Stephanie Hemelryk Donald is Distinguished Professor of Film at The University of Lincoln, UK. She is the author of Public Secrets, Public Spaces: Cinema and Civility in China (2000) and Little Friends: Children’s Film and Media Culture in New China (2005), as well as many edited collections including Inert Cities: Globalization, Mobility and Suspension in Visual Culture (2014). Emma Wilson is Professor of French Literature and the Visual Arts at Corpus Christi College, UK. Sarah Wright is Reader in Hispanic Studies at Royal Holloway, University of London, UK.
Introduction: nation, film, child
Stephanie Hemelryk Donald (University of New South Wales, Australia); Emma Wilson (Corpus Christi College, UK); Sarah Wright (University of London, UK)
Home and away
1. ‘A bath, a toilet and a field’: dreaming and deprivation in Lynne Ramsay’s Ratcatcher
Vicky Lebeau (University of Sussex, UK)
2. Lost and found: children in Indigenous Australian cinema
Greg Dolgopolov (University of New South Wales, Australia)
3. ‘Away from girlhood’: Catherine Breillat’s Bluebeard
Emma Wilson (Corpus Christi College, UK)
Disappearance and removal
4. The lost children of Latvia: deportees and postmemory in Dzintra Geka’s The Children of Siberia
Stephanie Hemelryk Donald (University of New South Wales, Australia) and Klara Bruveris (University of New South Wales, Australia)
5. Among the Nations: Children as Czechs, Germans and Jews in post-1980 Czech cinematic representations of the Second World War
Jan Lánícek (University of New South Wales, Australia)
6. Child, cinema, dictatorship: Ignacio Agüero’s One Hundred Children Waiting for a Train
Sarah Wright (University of London, UK)
Education and Serious Games
7. Graphic tales: class, violence and South Korean childhood in Sang-Ho Yeon’s The King of Pigs
Susan Danta (University of New South Wales, Australia)
Citizenship in the classroom: the politicisation of child subjects in Nicolas Philibert’s To Be and To Have and Laurent Cantet’s The Class
Victoria Flanagan
Education, destiny, and national identity in Raúl Ruiz’s Manoel on the Island of Wonders
Stefan Solomon (University of New South Wales, Australia)
An allegorical childhood: identity and coming of age in Terry Loane’s Mickybo and Me
Jennifer R. Beckett (University of Melbourne, Australia)
Performance
Terrorism and trainers in a transnational remake: child labour and commodity culture in the Bollywood adaptation of New Iranian Cinema’s Children of Heaven
Michael Lawrence (University of Sussex, UK)
The child as hyphen: Yamina Benguigui’s Inch’allah Dimanche
Hannah Kilduff (University of Cambridge, UK)
Beiqing, kuqing and national sentimentality in Liu Junyi’s Left-behind Children
Zitong Qiu and Maria Elena Indelicato (Zhejiang University, China)
Children’s toys, Argentine nationhood and blondness in Albertina Carri’s Barbie Gets Sad Too and Néstor F. and Martín C.’s Easy Money
Jordana Blejmar (University of Liverpool, UK)
Bibliography
Filmography
Erscheinungsdatum | 18.09.2018 |
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Zusatzinfo | 40 bw illus |
Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 395 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kinder- / Jugendbuch ► Sachbücher | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-5013-4398-X / 150134398X |
ISBN-13 | 978-1-5013-4398-8 / 9781501343988 |
Zustand | Neuware |
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