Black Lives Matter and Music
Indiana University Press (Verlag)
978-0-253-03842-5 (ISBN)
Fernando Orejuela is Senior Lecturer and Director of Undergraduate Studies in the Department of Folklore and Ethnomusicology at Indiana University. He is the author of Rap Music and Hip Hop Culture. Stephanie Shonekan is Associate Professor of Ethnomusicology and Black Studies at the University of Missouri. She is the author of Soul, Country and the USA: Race and Identity in American Music and The Life of Camilla Williams, African American Classical Singer and Opera Diva.
Foreword / Portia K. Maultsby
Acknowledgments
Introduction to Black Lives Matter and Music: Protest, Intervention, Reflection / Fernando Orejuela
1. BlackMizzou: Music and Stories One Year Later / Stephanie Shonekan
2. Black Matters: Black Folk Studies and Black Campus Life Matters / Fernando Orejuela
3. Blackfolklifematters: SLABs and The Social Importance of Contemporary African American Folklife / Langston Collin Wilkins
4. BlackMusicMatters: Affirmation and Resilience in African American Musical Spaces in Washington, D.C. / Alison Martin
5. Black Detroit: Sonic Distortion Fuels Social Distortion / Denise Dalphond
Conclusion: Race, Place, and Pedagogy in the Black Lives Matter Era / Stephanie Shonekan
Index
Erscheinungsdatum | 20.09.2018 |
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Reihe/Serie | Activist Encounters in Folklore and Ethnomusicology |
Co-Autor | Fernando Orejuela, Stephanie Shonekan |
Vorwort | Portia K. Maultsby |
Zusatzinfo | 15 Halftones, color |
Verlagsort | Bloomington, IN |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-253-03842-1 / 0253038421 |
ISBN-13 | 978-0-253-03842-5 / 9780253038425 |
Zustand | Neuware |
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