The Arts of Cinema - Martin Seel

The Arts of Cinema

(Autor)

Buch | Softcover
180 Seiten
2018
Cornell University Press (Verlag)
978-1-5017-2617-0 (ISBN)
21,15 inkl. MwSt
In The Arts of Cinema, Martin Seel explores film’s connections to the other arts and the qualities that distinguish it from them. In nine concise and elegantly written chapters, he explores the cinema’s singular aesthetic potential and uses specific examples from a diverse range of films—from Antonioni and Hitchcock to The Searchers and The...
In The Arts of Cinema, Martin Seel explores film’s connections to the other arts and the qualities that distinguish it from them. In nine concise and elegantly written chapters, he explores the cinema’s singular aesthetic potential and uses specific examples from a diverse range of films—from Antonioni and Hitchcock to The Searchers and The Bourne Supremacy—to demonstrate the many ways this potential can be realized. Seel’s analysis provides both a new perspective on film as a comprehensive aesthetic experience and a nuanced understanding of what the medium does to us once we are in the cinema.

Martin Seel is Professor of Philosophy at the Goethe University Frankfurt. He is the author of fourteen books of philosophy and aesthetics, including Aesthetics of Appearing. Kizer S. Walker is Director of Collections for Cornell University Library, Librarian for German Studies, and Managing Editor of the series Signale: Modern German Letters, Cultures, and Thought, copublished by Cornell University Press and Cornell University Library.

Opening Credits: Affairs—The Site of the Cinema—"Film"—The Course of Things—The Film Program

1. Film as Architecture: A Beginning—Division of Space—Ambient Sound—Some Opening Credits—Landscapes—Two Extremes—An Ending—Spatial Imagination—More Opening Credits

2. Film as Music: A Prelude—Time Connections—Action (1)—Double Motion—Action (2)—Spaces of Time—Higher Rhythm—Explosion

3. Film as Image: People Waiting—Pictorial Appearing—Image and Movement—Photography and Film—Another Trip— The Promise of Photography—Image Analysis—The Promise of Film—Another Ending

4. Film as Spectacle: Anarchy—Division of Space, Again—Virtuality—Sculpturality— Actors—Voices—Theatricality—Attractionism—Ecstasy

5. Film as Narrative: Three Films—Abstinence—Narrative Disposition—Telling Stories—Perspectivity—Filmic Storytelling—Cinema's Temporal Form—The Present Past

6. Film as Exploration: In Baghdad—Urban Landscapes—Realities—Processes of Documentation—A Double Promise—Techniques of Fiction— Questions of Style—Loss of Control—References to the World—The End

7. Film as Imagination: At Bakersfield—An Illusionistic Interpretation—The Figure of the Illusionist—Illusion and Immersion—Imagination Not Illusion—Photography and Film, Again—Twofold Attention—Illusion as a Technique—Caché

8. Film as Emotion: The End, Yet Again—The Illusionist's Final Appearance— Motion and Emotion—Corporeality—Sensate Understanding— Expressivity—Engagement—Twofold Attention, Again—Mixed Emotions—Godard

9. Film as Philosophy: Flashbacks—Another Affair—Three Dimensions—Cine- anthropology—Active Passivity—An Encore—Landscapes, Once Again

Closing Credits: Notice—Thanks

Erscheinungsdatum
Übersetzer Kizer S. Walker
Verlagsort Ithaca
Sprache englisch
Maße 152 x 229 mm
Gewicht 454 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Philosophie
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-5017-2617-X / 150172617X
ISBN-13 978-1-5017-2617-0 / 9781501726170
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
A Norton Critical Edition

von William Faulkner; Michael Gorra

Buch | Softcover (2022)
WW Norton & Co (Verlag)
20,90
Dichtung, Natur und die Verwandlung der Kräfte 1770-1830

von Cornelia Zumbusch

Buch | Hardcover (2023)
De Gruyter (Verlag)
59,00