Jazz and Postwar French Identity (eBook)

Improvising the Nation
eBook Download: EPUB
2016
328 Seiten
Lexington Books (Verlag)
978-1-4985-2877-1 (ISBN)

Lese- und Medienproben

Jazz and Postwar French Identity -  Elizabeth Vihlen McGregor
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In the decades following World War II, French jazz audiences engaged in a process that both challenged and reinforced ideas about their own nation and culture. By negotiating subjects such as youth culture, gender expectations, American consumer society, citizenship, racism, civil rights, and decolonization, the French jazz public expressed important beliefs about France’s place in a fast-changing world and a desire to maintain a strong national identity in the face of globalization.
In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France's postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals.As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music's international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation.

Elizabeth Vihlen McGregor earned a PhD in history at the State University of New York at Stony Brook and has taught at the United States Merchant Marine Academy, the State College of Florida, and Anna Maria College.

Le Monde du jazzChapter Two: The Gendered Jazz PublicChapter Three: The Question and Politics of RaceChapter Four: More than an American MusicChapter Five: Red, White, and Blue Notes: French JazzChapter Six: And What of Empire?Conclusion: Improvising the Nation

Erscheint lt. Verlag 23.6.2016
Sprache englisch
Themenwelt Kunst / Musik / Theater Musik Jazz / Blues
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Sozialwissenschaften
Schlagworte Americanization in France • Discrimination in France • Fench Identity • France studies • French culture • French Decolonization • Jazz in France • Multicultural France • Postwar France
ISBN-10 1-4985-2877-5 / 1498528775
ISBN-13 978-1-4985-2877-1 / 9781498528771
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