New Realisms

Taking 5 filmmakers (Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard) as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

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An indepth study of recent and contemporary British realist cinema

Challenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema
Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna Hogg
Addresses recent and contemporary British films which are yet to otherwise receive sustained critical attention
Combines close readings of the films with historically-based, contextual analysis

The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.