Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Indiana University Press (Verlag)
978-0-253-03175-4 (ISBN)
Michael T. Martin is Director of the Black Film Center/Archive and Professor of Cinema and Media Studies in the Media School at Indiana University, Bloomington. He is the editor or co-editor of six anthologies, including Redress for Historical Injustices in the United States: Slavery, Jim Grow, and Their Legacies; and The Poetics and Politics of Black Film: Nothing But a Man (IUP). He also directed and co-produced the award winning feature documentary on Nicaragua, In the Absence of Peace, distributed by Third World Newsreel. David C. Wall is Assistant Professor of Visual and Media Studies at Utah State University at Utah State University. He co-edited The Poetics and Politics of Black Film: Nothing But a Man (IUP). Other recent work can be found in Nineteenth-Century Studies and A Companion to the Historical Film. Marilyn Yaquinto is Associate Professor of Communication and Interdisciplinary Studies at Truman State University in Missouri. She is author of Pump 'Em Full of Lead: A Look at Gangsters on Film and co-editor of Redress for Historical Injustices in the United States: Slavery, Jim Grow, and Their Legacies. Dr. Yaquinto is a former journalist for the Los Angeles Time and shares in its Pulitzer Prize for spot news coverage of the 1992 LA riots linked to the Rodney King incident.
Acknowledgements
Introduction: The Spook Who Sat by the Door / Michael T. Martin and David C. Wall
1. Writer/Producer's Statement: The Making of The Spook Who Sat by the Door / Sam Greenlee
2. "[D]uality is a survival tool. It's not a disease": Interview with Sam Greenlee on The Spook Who Sat By the Door / Michael T. Martin and David C. Wall
3. Cinema as Political Activism: Contemporary Meanings in The Spook Who Sat by the Door / Marilyn Yaquinto
4. Persistently Displaced: Situated Knowledges and Interrelated Histories in The Spook Who Sat by the Door / Samantha N. Sheppard
5. Subverting the System: The Politics and Production of The Spook Who Sat By the Door / Christine Acham
6. The Spook Who Sat By the Door, Screenplay / Sam Greenlee and Melvin Clay
Appendix A: Press Kit
Appendix B: National Film Registry Entry, The Spook Who Sat by the Door / Michael T. Martin and David C. Wall
Appendix C: Sam Greenlee: Biography and Select Bibliography
Appendix D: Ivan Dixon: Biography and Select Filmography
Index
Erscheinungsdatum | 20.03.2017 |
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Reihe/Serie | Studies in the Cinema of the Black Diaspora |
Co-Autor | Christine A. Acham, Samantha N. Sheppard |
Zusatzinfo | 43 Illustrations, black and white |
Verlagsort | Bloomington, IN |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-253-03175-3 / 0253031753 |
ISBN-13 | 978-0-253-03175-4 / 9780253031754 |
Zustand | Neuware |
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