Parameters of Disavowal
Colonial Representation in South Korean Cinema
Seiten
2018
University of California Press (Verlag)
978-0-520-29530-8 (ISBN)
University of California Press (Verlag)
978-0-520-29530-8 (ISBN)
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. The colonial experience of the twentieth century (1910-1945) decidedly shaped the culture and identity of Korea, yet the precise manner as to how South Korean postcolonial cinema depicts this troubling past has not received sufficient scholarly attention. Parameters of Disavowal seeks to break this hiatus. It approaches the subject of the colonial past in South Korean cinema as a particular kind of postcolonial knowledge-production that responds to the repercussions of Cold War geopolitics while also subscribing to the precept of anticolonial nationalism. It also advances beyond manifest readings of anticolonial messages by examining how postcolonial cinema not only posits, but also constructs Korean national history through disavowals and elisions of the very past they wish to represent.
In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema.
In particular, this book focuses on how South Korean films have created ways of seeing and imagining the colonial past by privileging certain Korean sites as spaces generating unique meanings and values contrary to the assumed total domination of the colonial power. These films thereby inscribe colonial power within parameters of disavowal, ultimately rendering it delimited, incomplete, and flawed. This unique cinematic mode of visualization, the author argues, has shaped historical thinking about Korea's colonial past and demands further investigation of the relationship between politics and aesthetics in cinema.
Jinsoo An is Assistant Professor of Korean Studies at Department of East Asian Languages and Cultures of University of California, Berkeley.
List of Illustrations
Acknowledgments
Introduction
1. Under the Banner of Nationalism: The Changing Imagery of Anticolonial Leadership
2. Film and the Waesaek (“Japanese Color”) Controversies of the 1960s
3. The Manchurian Action Film: A New Anticolonial Imaginary in the Cold War Context
4. In the Colonial Zone of Contact: Kisaeng and Gangster Films
5. Horror and Revenge: Return of the Repressed Colonial Violence
Coda: After 2000
Notes
Bibliography
Index
Erscheinungsdatum | 04.07.2018 |
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Reihe/Serie | Global Korea ; 1 |
Zusatzinfo | 12 b-w |
Verlagsort | Berkerley |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 318 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-520-29530-7 / 0520295307 |
ISBN-13 | 978-0-520-29530-8 / 9780520295308 |
Zustand | Neuware |
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Erinnerungen
Buch | Softcover (2024)
Pantheon (Verlag)
16,00 €