Television Cities
Paris, London, Baltimore
Seiten
2018
Duke University Press (Verlag)
978-0-8223-6920-2 (ISBN)
Duke University Press (Verlag)
978-0-8223-6920-2 (ISBN)
Charlotte Brunsdon traces television's representations of Paris, London, and Baltimore to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban and showing how television shapes our perception of urban spaces, both familiar and unknown.
In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.
In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.
Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick and the author of several books, including London in Cinema: The Cinematic City Since 1945 and The Feminist, the Housewife, and the Soap Opera.
Acknowledgments vii
Introduction: Does the Flâneur Watch Television 1
1. The Modernity of Maigret's Paris 24
2. Living-Room London 65
3. Portable Cities: Baltimore 116
Notes 165
Bibliography 195
Index 211
Erscheinungsdatum | 03.02.2018 |
---|---|
Reihe/Serie | Spin Offs |
Zusatzinfo | 74 illustrations |
Verlagsort | North Carolina |
Sprache | englisch |
Maße | 149 x 210 mm |
Gewicht | 295 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kunst / Musik / Theater ► Theater / Ballett | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-8223-6920-6 / 0822369206 |
ISBN-13 | 978-0-8223-6920-2 / 9780822369202 |
Zustand | Neuware |
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