Film and Identity in Kazakhstan
I.B. Tauris (Verlag)
978-1-78453-838-5 (ISBN)
These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.
Rico Isaacs is Associate Professor of Politics at University of Lincoln, UK. His research focuses on nation-building and institutions in post-Soviet Central Asia. He writes regularly on Central Asian politics and culture.
Chapter one: From Constructed to Contested Nations: Theorising and analysing nation and cinema
1
Chapter Two: Kazakh Khanate to Kazakh Eli: Nation-Building in Kazakhstan in Historical and Political Context
40
Chapter Three: Between two worlds: Kazakh film and Nation-building in the Soviet era
75
Chapter Four: The Disruption of Time: the Kazakh New Wave 1985-1995
109
Chapter Five: Naked in the Mirror: the ethno-centric narrative of Kazakh nationhood
150
Chapter Six: May the Grass Never Grow at Your Door: the civic conception of nationhood in Kazakh cinema
186
Chapter Seven: ‘Hymn to Mother’ - Tengrism, motherhood and nationhood
211
Chapter Eight: The Steppe, disorientation, division and corruption: social and economic visions of modern nationhood
241
Conclusion
289
Notes
309
Erscheinungsdatum | 14.06.2018 |
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Zusatzinfo | 20 bw illus |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 552 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geschichte ► Allgemeine Geschichte ► Zeitgeschichte | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-78453-838-8 / 1784538388 |
ISBN-13 | 978-1-78453-838-5 / 9781784538385 |
Zustand | Neuware |
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