Composition, Performance, Reception
Routledge (Verlag)
978-1-138-26905-7 (ISBN)
Wyndham Thomas
Contents: Preface Jonathan Harvey; Introduction Wyndham Thomas; The Process of Composition from Detection to Confection Robert Saxton; The Composer and Opera Performance Raymond Warren; Composing, Arranging and Editing: A Historical Survey Wyndham Thomas; A Performer’s Responsibility Susan Bradshaw; Freedom of Interpretation in Twentieth-Century Music Charles Rosen; The Body in Performance Eric Clarke and Jane Davidson; Expectation and Interpretation in the Reception of New Music: A Case Study Adrian Beaumont; The Domestic Gesamtkunstwerk, or Record Sleeves and Reception Nicholas Cook; Form and Forming: From Victorian Aesthetics to the Mid-twentieth-Century Avant-Garde Bojan Bujic; Stravinsky and the Vicious Circle: Some Remarks about the Composer and the Press Stephen Walsh; Mobilising our Man: Politics and Music in Poland during the Decade after World War II Adrian Thomas; Notes; Lists of Examples and Illustrations; Contributor’s Details; Index.
Erscheinungsdatum | 08.01.2017 |
---|---|
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Kunst / Musik / Theater ► Musik ► Pop / Rock | |
Kunst / Musik / Theater ► Theater / Ballett | |
Sozialwissenschaften | |
ISBN-10 | 1-138-26905-0 / 1138269050 |
ISBN-13 | 978-1-138-26905-7 / 9781138269057 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
aus dem Bereich