Timba: The Sound of the Cuban Crisis
Routledge (Verlag)
978-1-138-25718-4 (ISBN)
Vincenzo Perna gained his PhD in ethnomusicology from SOAS, University of London, and has been the secretary of the Italian branch of IASPM. He has contributed articles on popular and world music for Italian and British music magazines, written essays for Italian and international encyclopaedias, and lectured at Italian universities and conservatories. He currently works as a freelance music journalist.
Contents: Introduction. Part I Setting the Scene: Música bailable under the revolution, 1959-89; Music in Havana at the dawn of the perÃodo especial: the emergence of timba; Facing the market: Cuban musicians and audiences into the 1990s. Part II Matters of Style: Timba as a genre and a musical style; Voices, words, bodies: content, meaning, and timba subculture. Part III Dangerous Connections: 'Oh God, Protect Me!': race, religion, and the revolution; 'You are a witch with no feelings': sex tourism, gender, and the representation of women in timba songs; 'Find yourself a sugar-daddy who pays your upkeep': the challenge of música bailable; Marketing nostalgia: the rise of Buena Vista Social Club; Beyond palms, rum and 'Che': black musics into the new millennium. Bibliography; Discography; Documentaries, films and music videos; Index.
Erscheinungsdatum | 08.01.2017 |
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Reihe/Serie | SOAS Studies in Music |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
ISBN-10 | 1-138-25718-4 / 1138257184 |
ISBN-13 | 978-1-138-25718-4 / 9781138257184 |
Zustand | Neuware |
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