Black Movements - Soyica Diggs Colbert

Black Movements

Performance and Cultural Politics
Buch | Hardcover
232 Seiten
2017
Rutgers University Press (Verlag)
978-0-8135-8852-0 (ISBN)
175,45 inkl. MwSt
Analyses how artists and activists of recent decades reference earlier freedom movements in order to imagine and produce a more expansive and inclusive democracy. Through an exploration of the way that black movements create circuits connecting people across space and time, Colbert offers important interventions into performance, literary, diaspora, and American studies.
Received the 2018 Honorable Mention for the Joe A. Callaway Prize for the Best Book on Drama or Theatre​

Black Movements analyzes how artists and activists of recent decades reference earlier freedom movements in order to imagine and produce a more expansive and inclusive democracy. The post–Jim Crow, post–apartheid, postcolonial era has ushered in a purportedly color blind society and along with it an assault on race-based forms of knowledge production and coalition formation. Soyica Diggs Colbert argues that in the late twentieth century race went “underground,” and by the twenty-first century race no longer functioned as an explicit marker of second-class citizenship.

The subterranean nature of race manifests itself in discussions of the Trayvon Martin shooting that focus on his hoodie, an object of clothing that anyone can choose to wear, rather than focusing on structural racism; in discussions of the epidemic proportions of incarcerated black and brown people that highlight the individual’s poor decision making rather than the criminalization of blackness; in evaluations of black independence struggles in the Caribbean and Africa that allege these movements have accomplished little more than creating a black ruling class that mirrors the politics of its former white counterpart. Black Movements intervenes in these discussions by highlighting the ways in which artists draw from the past to create coherence about blackness in present and future worlds.

Through an exploration of the way that black movements create circuits connecting people across space and time, Black Movements offers important interventions into performance, literary, diaspora, and African American studies.

SOYICA DIGGS COLBERT is an associate professor of African American studies at Georgetown University in Washington, D.C. She is the coeditor of The Psychic Hold of Slavery: Legacies in American Expressive Culture (Rutgers University Press).  

Acknowledgments
 

Introduction: Webs of Affiliation

1 Flying Africans in Spaceships

2 Entrapping and Ensnaring Entanglements

3 Prophesying in Octavia Butler’s Parable Series

4 Marching

Epilogue: “Why do you look for the living among the dead?”: Locating the Future of Black Studies
 

Notes

Bibliography

Index

Erscheinungsdatum
Zusatzinfo 19 photographs
Verlagsort New Brunswick NJ
Sprache englisch
Maße 152 x 229 mm
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Kunstgeschichte / Kunststile
Kunst / Musik / Theater Malerei / Plastik
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Ethnologie
Sozialwissenschaften Politik / Verwaltung
Sozialwissenschaften Soziologie
ISBN-10 0-8135-8852-9 / 0813588529
ISBN-13 978-0-8135-8852-0 / 9780813588520
Zustand Neuware
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