Preservation, Radicalism, and the Avant-Garde Canon (eBook)

eBook Download: PDF
2016 | 1st ed. 2016
XI, 277 Seiten
Palgrave Macmillan US (Verlag)
978-1-137-47437-7 (ISBN)

Lese- und Medienproben

Preservation, Radicalism, and the Avant-Garde Canon -
Systemvoraussetzungen
53,49 inkl. MwSt
  • Download sofort lieferbar
  • Zahlungsarten anzeigen
Combining a range of content with self-reflexive examination by scholars and practitioners, this edited volume interrogates the contemporary significance of the avant-garde. Rather than focusing on a particular region, period, or movement, the contributors bring together case studies to examine what constitutes the avant-garde canon.

Patricia Allmer, University of Edinburgh, UK James Harding, University of Warwick, UK Ciara Hickey, National College of Art and Design, Dublin, Ireland Ruth Hemus, Royal Holloway, University of London, UK Kimberly Jannarone, University of California, Santa Cruz, USA Robert Kilroy, Trinity College Dublin, Ireland Dr Richard O'Rawe, National University of Ireland, Maynooth Jonathan Owen, University of Manchester, UK Julian Ross, University of Leeds, UK Mike Sell, Indiana University of Pennsylvania, USA Simon Soon, University of Sydney, Australia Przemyslaw Strozek, Polish Academy of Sciences Tama St Turba, School of Beaux Arts, Hungary Jennifer Wood, National University of Ireland, Galway Amy Li Xiofan, St Anne's College, Oxford University, UK
Combining a range of content with self-reflexive examination by scholars and practitioners, this edited volume interrogates the contemporary significance of the avant-garde. Rather than focusing on a particular region, period, or movement, the contributors bring together case studies to examine what constitutes the avant-garde canon.

Rebecca Ferreboeuf is an honorary research fellow at Durham University, UK. Her research focuses on the French and francophone avant-gardes. She has published on women writers and artists of the avant-gardes; she is also the managing editor of Cahiers Laure, a journal dedicated to French writer, Colette Peignot.Fiona Noble holds a PhD in Hispanic Studies and Film and Visual Culture from the University of Aberdeen, UK. She has published on depictions of the body in Salvador Dalí, on cinematic representations of children in post-Franco Spain, and on intercultural lesbian relationships in contemporary Spanish cinema.Tara Plunkett is a Lecturer in Spanish at University College Dublin. Her research focuses on Spanish and Latin American artists' use of the Surrealist aesthetic in works of self-fashioning. In May 2014, she curated the exhibition Out of the Ordinary: Contemporary Visions of the Avant-Garde, which was held at the Naughton Gallery, Queen's University Belfast, Ireland.

PART I: STAGING THE AVANT-GARDES1. Exquisite Encounters with the Avant-Gardes; Rebecca Ferreboeuf, Fiona Noble, Tara Plunkett2. Telling the Telling of the Tale: A Dialogue; James Harding and Mike SellPART II: CURATING THE AVANT-GARDES3. Curating Problems: Expanded Cinema; Julian Ross4. An Active Encounter: Tamás St. Turba's Czechoslovakia Radio1968 and Avant-Garde Objects in Contemporary Contexts; Ciara HickeyPART III: ON THE MARGINS OF THE AVANT-GARDES5. Céline Arnauld's Poèmes à Claires-Voies (Openwork Poems); Ruth Hemus6. Firmin Gémier, the Avant-Garde Populist; Kimberly Jannarone7. Remedios Varo's Feminine, Spiritual Quest; Ricki O'RawePART IV: REREADING THE AVANT-GARDES8. Reframing the Void: Duchamp's Readymade as a Lacanian Object; Robert Kilroy9. Preserving Life Force: Antonin Artaud and Zhuangzi on the Body; Xiaofan Amy Li10. Lee Miller's Dialogues with the Avant-Garde; Patricia AllmerPART V: CATEGORIZING THE AVANT-GARDES11. Hearing Tsang Tsou Choi: Marginalia, Madness and a Hong Kong Avant Garde; Simon Soon12. Acting in Front of the Camera: Avant-Garde Approaches to Staged Photography; Przemyslaw Strozek13. Films for the Drawer: Post-War Czech Surrealism and the Impossible Encounter with Cinema; Jonathan OwenPART VI: CLOSING THE CURTAIN ON THE AVANT-GARDES?Epilogue: The Tale is Told?; John McCulloch

Erscheint lt. Verlag 8.4.2016
Reihe/Serie Avant-Gardes in Performance
Avant-Gardes in Performance
Zusatzinfo XI, 277 p.
Verlagsort New York
Sprache englisch
Themenwelt Kunst / Musik / Theater Allgemeines / Lexika
Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Technik
Schlagworte avant-garde • Calligraphy • Curatorship • Expanded Cinema • Graffiti • Historical Avant-Garde • Lacan • Lee Miller • Marcel Duchamp • neo-avant-garde • Poetry • Remedios Varo • stage • Theatre • Transmission
ISBN-10 1-137-47437-8 / 1137474378
ISBN-13 978-1-137-47437-7 / 9781137474377
Haben Sie eine Frage zum Produkt?
PDFPDF (Wasserzeichen)
Größe: 2,1 MB

DRM: Digitales Wasserzeichen
Dieses eBook enthält ein digitales Wasser­zeichen und ist damit für Sie persona­lisiert. Bei einer missbräuch­lichen Weiter­gabe des eBooks an Dritte ist eine Rück­ver­folgung an die Quelle möglich.

Dateiformat: PDF (Portable Document Format)
Mit einem festen Seiten­layout eignet sich die PDF besonders für Fach­bücher mit Spalten, Tabellen und Abbild­ungen. Eine PDF kann auf fast allen Geräten ange­zeigt werden, ist aber für kleine Displays (Smart­phone, eReader) nur einge­schränkt geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen dafür einen PDF-Viewer - z.B. den Adobe Reader oder Adobe Digital Editions.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen dafür einen PDF-Viewer - z.B. die kostenlose Adobe Digital Editions-App.

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

Mehr entdecken
aus dem Bereich
Stasis und Polemos

von Stavros Arabatzis

eBook Download (2023)
Springer Fachmedien Wiesbaden (Verlag)
49,99