The Great War in Popular British Cinema of the 1920s
Before Journey's End
Seiten
2015
|
1st ed. 2015
Palgrave Macmillan (Verlag)
978-1-349-35079-7 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-35079-7 (ISBN)
This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered surviving audiences a language through which to interpret their recent experience, and traces the ways in which those interpretations changed during the decade.
Lawrence Napper is Lecturer in the Film Studies department of Kings College London, UK. His previous work includes British Cinema and Middlebrow Culture in the Interwar Years.
List of Figures Acknowledgements Introduction: Peace Days in Pictureland 1. 'In the Midst of Peace we are at War': The Film Trade in 1919 2. Battle Reconstructions and British Instructional Films 3. Remembrance and the Ambivalent Gaze 4. 'When the Boys Come Home' Bibliography Index
Erscheinungsdatum | 26.05.2016 |
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Zusatzinfo | VIII, 234 p. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 140 x 216 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Schlagworte | 1920s • Battle Reconstruction • Bigamy • British Film • Cinema • Disablilty • Documentary • Ex-servicemen • Film • First World War • Great War • impotence • Interwar • Melodrama • Remembrance • veterans • war |
ISBN-10 | 1-349-35079-6 / 1349350796 |
ISBN-13 | 978-1-349-35079-7 / 9781349350797 |
Zustand | Neuware |
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Buch | Softcover (2024)
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