Doubling, Distance and Identification in the Cinema - P. Coates

Doubling, Distance and Identification in the Cinema

(Autor)

Buch | Softcover
217 Seiten
2015 | 1st ed. 2015
Palgrave Macmillan (Verlag)
978-1-349-48469-0 (ISBN)
85,55 inkl. MwSt
This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.

Paul Coates is Professor in the Film Studies Department of the University of Western Ontario, Canada. His books include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Lucid Dreams: the Cinema of Krzysztof Kie?lowski (ed.) (1999), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour: The Saturated Image (2010). In 1997 he became only the second Film Studies academic to give a series of Gauss seminars at Princeton University. His Screening the Face was published in 2012 by Palgrave Macmillan.

List of Figures Acknowledgements Introduction: Neither Here Nor There 1. Doubles and the Shadows in Plato's Cave 2. Extensions of the Self 3. Doubling, Distance and Instruments of Peceptions 4. In and Out of the Shadows of Noir 5. Cowboys and Aliens Works Cited Index

Erscheinungsdatum
Zusatzinfo IX, 217 p.
Verlagsort Basingstoke
Sprache englisch
Maße 140 x 216 mm
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien
Schlagworte 3D cinema • Cinema • doubling • Haptic • Identification • scale
ISBN-10 1-349-48469-5 / 1349484695
ISBN-13 978-1-349-48469-0 / 9781349484690
Zustand Neuware
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