New Argentine and Brazilian Cinema

José Carlos Avellar, Escola de Cinema Darcy Ribeiro, Brazil David Oubiña, University of Buenos Aires and Universidad del Cine, Argentina Andréa França, Pontificia Universidade Católica de Río de Janeiro, Brazil Edgardo Dieleke, New York University, Buenos Aires, Argentina Joanna Page, University of Cambridge, UK César Guimarães, Universidade Federal de Minas Gerais, Brazil Ivana Bentes, Universidade Federal do Rio de Janeiro, Brazil Tom Cohen, University of Albany-SUNY, USA Robert Stam, New York University, USA Jens Andermann, University of Zurich, Switzerland Domin Choi, Universidad de Buenos Aires and Universidad del Cine, Argentina Álvaro Fernández Bravo, New York University, Buenos Aires, Argentina Gonzalo Aguilar, University of Buenos Aires, Argentina

1. Cámera lúcida; José Carlos Avellar 2. Footprints: Risks and Achievements in New Argentine Cinema David Oubiña PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY 3. Documentary Cinema and the Return of Past Events; Andréa França 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke 6. Beyond Reflexivity: Acting and Experience in León, Rejtman and Coutinho; Joanna Page 7. The Scene and the Inscription of the Real; César Guimarães PART II: ARCHIVES OF THE PRESENT 8. Global Periphery; Ivana Bentes 9. Exploding Buses: José Padilha and the Hijacking of Media; Tom Cohen 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi 13. The I as Other: the Real, the Archive and the Witness; Álvaro Fernández Bravo 14. The Documentary Between the First and the Third PersonL; Gonzalo Aguilar