Shakespeare and Modern Popular Culture
Seiten
2002
Oxford University Press (Verlag)
978-0-19-818706-6 (ISBN)
Oxford University Press (Verlag)
978-0-19-818706-6 (ISBN)
Our notions of Shakespeare have been shaped partly by his diffuse presence in films, comics, TV, mass-market novels, kitsch, and advertising. Through a series of case studies, Douglas Lanier examines how modern popular culture has appropriated and refashioned Shakespeare as a cultural icon.
Shakespeare and Superman? Shakespeare and The Twilight Zone? Shakespeare and romance novels? What is Shakespeare doing in modern popular culture? In the first book-length study to consider the modern 'Shakespop' phenomenon broadly, Douglas Lanier examines how our conceptions of Shakespeare's works and his cultural status have been profoundly shapes by Shakespeare's diffuse presence in such popular forms as films, comic books, TV shows, mass-market fiction, children's books, kitsch, and advertising. Shakespeare and Modern Popular Culture offers an overview of issues raised in Shakespeare's appropriation in twentieth-century popular culture, amd argues that Shakespeare's appearances in these media can be seen as a form of cultural theorizing, a means by which popular culture thinks through its relationship to high culture. Through a series of case studies, the book examines how popular culture actively constructs, contests, uses, and perpetuates Shakespeare's cultural authority.
Shakespeare and Superman? Shakespeare and The Twilight Zone? Shakespeare and romance novels? What is Shakespeare doing in modern popular culture? In the first book-length study to consider the modern 'Shakespop' phenomenon broadly, Douglas Lanier examines how our conceptions of Shakespeare's works and his cultural status have been profoundly shapes by Shakespeare's diffuse presence in such popular forms as films, comic books, TV shows, mass-market fiction, children's books, kitsch, and advertising. Shakespeare and Modern Popular Culture offers an overview of issues raised in Shakespeare's appropriation in twentieth-century popular culture, amd argues that Shakespeare's appearances in these media can be seen as a form of cultural theorizing, a means by which popular culture thinks through its relationship to high culture. Through a series of case studies, the book examines how popular culture actively constructs, contests, uses, and perpetuates Shakespeare's cultural authority.
1. Where No Bard Has Gone Before ; 2. Unpopularizing Shakespeare: A Short History ; 3. According to Shakespeare: Allusion and Citation ; 4. Recasting the Plays: Homage, Adaptation, Parody ; 5. A Will to Reinvent: Biography and Mythology ; 6. Shakespeare Tourism and Festivals ; Further Reading
Erscheint lt. Verlag | 5.9.2002 |
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Reihe/Serie | Oxford Shakespeare Topics |
Zusatzinfo | 13 halftones |
Verlagsort | Oxford |
Sprache | englisch |
Maße | 136 x 203 mm |
Gewicht | 236 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften | |
ISBN-10 | 0-19-818706-8 / 0198187068 |
ISBN-13 | 978-0-19-818706-6 / 9780198187066 |
Zustand | Neuware |
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