Shakespeare's Cultural Capital

His Economic Impact from the Sixteenth to the Twenty-first Century
Buch | Softcover
187 Seiten
2016 | 1st ed. 2016
Palgrave Macmillan (Verlag)
978-1-137-58315-4 (ISBN)

Lese- und Medienproben

Shakespeare's Cultural Capital -
29,95 inkl. MwSt
Shakespeare is a cultural phenomenon and arguably the most renowned playwright in history. In this edited collection, Shellard and Keenan bring together a collection of essays from international scholars that examine the direct and indirect economic and cultural impact of Shakespeare in the marketplace in the UK and beyond. From the marketing of Shakespeare’s plays on and off stage, to the wider impact of Shakespeare in fields such as education, and the commercial use of Shakespeare as a brand in the advertising and tourist industries, this volume makes an important contribution to our understanding of the Shakespeare industry 400 years after his death.

With a foreword from the celebrated cultural economist Bruno Frey and nine essays exploring the cultural and economic impact of Shakespeare in his own day and the present, Shakespeare’s Cultural Capital forms a unique offering to the study of cultural economics and Shakespeare.

Professor Dominic Shellard is the vice-chancellor of De Montfort University, Leicester, UK and an expert on post-war British Theatre. He is the author of nine books and the leader of the British Library Theatre Archive Project. He authored the Arts Council England project Economic Impact Study of UK Theatre and An Economic Impact Study of Welsh National Opera within Wales. Dr Siobhan Keenan is a reader in Shakespeare and Renaissance Literature at De Montfort University, Leicester, UK. She has published widely on early modern theatre history and is the author of several books, including Travelling Players in Shakespeare’s England (Palgrave Macmillan, 2002) and Acting Companies and Their Plays in Shakespeare’s London.

Foreword by Bruno Frey, Zeppelin University, Germany.- Chapter 1: Introduction; Dominic Shellard, Siobhan Keenan, de Montfort University, UK.- Chapter 2: Shakespeare and the Market in his Own Day; Siobhan Keenan.- Chapter 3: Shakespeare and the Impact of Editing; Gabriel Egan, de Montfort University, UK.- Chapter 4: Marketing Shakespeare on Film: From Tragedy to Biopic, Deborah Cartmell, de Montfort University, UK.- Chapter 5. Shakespearean Actors, Memes, Social Media and the Circulation of Shakespearean ‘Value’; Anna Blackwell, de Montfort University, UK.- Chapter 6: Ales, Beers, Shakespeares; Graham Holderness and Bryan Loughrey, University of Hertfordshire, UK.- Chapter 7. A King Rediscovered: the Economic Impact of Richard III and Richard III on the City of Leicester; Dominic Shellard-. Chapter 8: Shakespeare is ‘GREAT’ Conrad Bird, GREAT Britain Campaign, Foreign and Commonwealth Office, UK; Jason Eliadis and Harvey Scriven, Arcadian Consultancy, UK.- Chapter 9: Sponsored by Shakespeare; Susan Bennett, University of Calgary, Canada.

Erscheinungsdatum
Zusatzinfo XIII, 187 p.
Verlagsort Basingstoke
Sprache englisch
Maße 140 x 216 mm
Themenwelt Geschichte Teilgebiete der Geschichte Wirtschaftsgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften
Wirtschaft Volkswirtschaftslehre
Schlagworte Advertising • Beeronomics • Corporate sponsorship • Cultural Capital • Cultural Olympiad • Economics • Editing • Education • Film • New Economic Criticism • Shakespeare • Social Media • Textual criticism • Theatre
ISBN-10 1-137-58315-0 / 1137583150
ISBN-13 978-1-137-58315-4 / 9781137583154
Zustand Neuware
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