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The Screen Is Red

Hollywood, Communism, and the Cold War

(Autor)

Buch | Hardcover
288 Seiten
2016
University Press of Mississippi (Verlag)
978-1-4968-0539-3 (ISBN)
135,90 inkl. MwSt
Portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. Today the threat is no longer the Soviet Union, but international terrorism. Author Bernard F. Dick argues, however, that the Soviet Union has not lost its appeal, as evident from the popular and critically acclaimed television series The Americans.
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side. In Ninotchka, all a female commissar needs is a trip to Paris to convert her to capitalism and the luxuries it can offer.

The scenario changed when Nazi Germany invaded the Soviet Union in 1941, making Russia a short-lived ally. The Soviets were quickly glorified in such films as Song of Russia, The North Star, Mission to Moscow, Days of Glory, and Counter-Attack. But once the Iron Curtain fell on Eastern Europe, the scenario changed again. America was now swarming with Soviet agents attempting to steal some crucial piece of microfilm. On screen, the atomic detonations in the Southwest produced mutations in ants, locusts, and spiders, and revived long-dead monsters from their watery tombs. The movies did not blame the atom bomb specifically but showed what horrors might result in addition to the iconic mushroom cloud.

Through the lens of Hollywood, a nuclear war might leave a handful of survivors (Five), none (On the Beach, Dr. Strangelove), or cities in ruins (Fail-Safe). Today the threat is no longer the Soviet Union, but international terrorism. Author Bernard F. Dick argues, however, that the Soviet Union has not lost its appeal, as evident from the popular and critically acclaimed television series The Americans. More than eighty years later, the screen is still red.

Bernard F. Dick, Teaneck, New Jersey, USA attended the University of Scranton and Fordham University, from which he received a PhD in classical philology. He has taught classics, world literature, film, and writing during his fifty years in higher education. He has also written a number of books, including Forever Mame: The Life of Rosalind Russell, Claudette Colbert: She Walked in Beauty, and Hollywood Madonna: Loretta Young in University Press of Mississippi's Hollywood Legends Series.

Erscheinungsdatum
Zusatzinfo 35 b&w illustrations
Verlagsort Jackson
Sprache englisch
Maße 152 x 229 mm
Gewicht 580 g
Themenwelt Kunst / Musik / Theater Film / TV
Sachbuch/Ratgeber Geschichte / Politik Allgemeines / Lexika
Geschichte Allgemeine Geschichte Zeitgeschichte
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Sozialwissenschaften Politik / Verwaltung Politische Systeme
Sozialwissenschaften Politik / Verwaltung Politische Theorie
ISBN-10 1-4968-0539-9 / 1496805399
ISBN-13 978-1-4968-0539-3 / 9781496805393
Zustand Neuware
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