Intersecting Art and Technology in Practice
Routledge (Verlag)
978-1-138-93411-5 (ISBN)
This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.
Camille C Baker is a Reader in the School of Communication Design, University for the Creative Arts, Epsom, UK. She is a media artist/curator/Reader in digital media with recent work in participatory mobile and sensor performance using wearable technologies, now exploring creative coding and electronic development for smart-fashion projects. She explores new mechanisms to elicit engaging experiences using evolving approaches to participatory performance. Her website is camillebaker.me. Kate Sicchio is Visiting Assistant Professor, Integrated Digital Media, New York University, USA. She works at the interface of technology and choreography. Her work includes performances, installations, web and video projects. She has presented work internationally across the US, Canada, Germany, Australia, Belgium and the UK at venues such as the V&A (London), EU Parliament (Brussels), Banff New Media Institute (Banff) and Arnolfini Art Centre (Bristol UK). Her website is http://www.sicchio.com.
Foreword
Ruth Catlow and Marc Garrett
Introduction
Camille Baker and Kate Sicchio
Theme 1: Artistic process/challenges
1. Intuition and Creative Process Methodologies in Digital Performance
Camille Baker
2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice
Georg Hobmeier
3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice
Lorna Moore
4. Making Speculative Technologies
Kristina Anderson
5. Construction of processes to live audiovisual performance
Ana Carvalho
6. NO PLACE: Presence, Performance and Virtuality
Kate Genevieve
7. Imagination, Art and Reality
Ben Bogart
Theme 2: Collaborations
8. Cultivating permaCultural resilience (pCr) : The permaCultural dérive as an Itinerant’s approach to a techne of becoming
Anita McKoewn
9. The Immanent Researcher
Kate Sicchio
10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity
Jeannette Ginslov
11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists
Pia Tikka
12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition
Max Schleser and Antony Nevin
Theme 3: Shared Knowledge:
13. Sharing Knowledge through Networked Collaboration
Helen Varley Jamieson
14. Methodologies of Risk and Experimental Prototyping
Nancy Mauro-Flude
15. Behind the Idea and meta models for creativity
Alison Williams
16. Mass Collaboration through Software and why we need a ‘Keeper’ Movement
Alex May
17. Generative Approaches for Meaning Making in Art
Aleksandra Dulic and Kenneth Newby
| Erscheinungsdatum | 24.05.2016 |
|---|---|
| Reihe/Serie | Routledge Advances in Art and Visual Studies |
| Zusatzinfo | 6 Tables, black and white; 11 Halftones, black and white; 11 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 589 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Sozialwissenschaften ► Kommunikation / Medien | |
| ISBN-10 | 1-138-93411-9 / 1138934119 |
| ISBN-13 | 978-1-138-93411-5 / 9781138934115 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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