Reframing Decadence
C. P. Cavafy's Imaginary Portraits
Seiten
2015
Cornell University Press (Verlag)
978-0-8014-4708-2 (ISBN)
Cornell University Press (Verlag)
978-0-8014-4708-2 (ISBN)
In Reframing Decadence, Peter Jeffreys shows Cavafy's creative indebtedness to British and French avant-garde aesthetes whose collective impact on his poetry proved to be profound. In the process, Jeffreys offers a critical reappraisal of Cavafy's relation to Victorian aestheticism and French literary decadence.
During his sojourn in England during the 1870s, a young Cavafy found himself enthralled by the aesthetic movement of cosmopolitan London. It was during these years that he encountered the canvases and personalities of Pre-Raphaelite painters, including Burne-Jones and Whistler, as well as works of aesthetic writers who were effecting a revolution in British literary culture and channeling influences from France that would gradually coalesce into an international decadent movement. In Reframing Decadence, Peter Jeffreys returns us to this critical period of Cavafy’s life, showing the poet’s creative indebtedness to British and French avant-garde aesthetes whose collective impact on his poetry proved to be profound. In the process, Jeffreys offers a critical reappraisal of Cavafy’s relation to Victorian aestheticism and French literary decadence.
Foremost among the tropes of decadence that captivated Cavafy were the decline of imperial Rome, the rise of Christianity, and the lingering twilight of Byzantium. The influence of Walter Pater on Cavafy’s view of classical and late-antique history was immense, inflected as it was with an unapologetic homoerotic aesthetic that Cavafy would adopt as his own, making Pater’s imaginary portraits an important touchstone for his own historicizing poetry. Cavafy would move beyond Pater to explore a more openly homoerotic sensuality but he never quite abandoned this rich Victorian legacy, one that contributed greatly to his emergence as a global poet. Jeffreys concludes by considering Cavafy’s current popularity as a gay poet and his curious relation to kitsch as manifest in his ongoing popularity via translation and visual media.
During his sojourn in England during the 1870s, a young Cavafy found himself enthralled by the aesthetic movement of cosmopolitan London. It was during these years that he encountered the canvases and personalities of Pre-Raphaelite painters, including Burne-Jones and Whistler, as well as works of aesthetic writers who were effecting a revolution in British literary culture and channeling influences from France that would gradually coalesce into an international decadent movement. In Reframing Decadence, Peter Jeffreys returns us to this critical period of Cavafy’s life, showing the poet’s creative indebtedness to British and French avant-garde aesthetes whose collective impact on his poetry proved to be profound. In the process, Jeffreys offers a critical reappraisal of Cavafy’s relation to Victorian aestheticism and French literary decadence.
Foremost among the tropes of decadence that captivated Cavafy were the decline of imperial Rome, the rise of Christianity, and the lingering twilight of Byzantium. The influence of Walter Pater on Cavafy’s view of classical and late-antique history was immense, inflected as it was with an unapologetic homoerotic aesthetic that Cavafy would adopt as his own, making Pater’s imaginary portraits an important touchstone for his own historicizing poetry. Cavafy would move beyond Pater to explore a more openly homoerotic sensuality but he never quite abandoned this rich Victorian legacy, one that contributed greatly to his emergence as a global poet. Jeffreys concludes by considering Cavafy’s current popularity as a gay poet and his curious relation to kitsch as manifest in his ongoing popularity via translation and visual media.
Peter Jeffreys is Associate Professor of English at Suffolk University. He is the editor of The Forster-Cavafy Letters: Friends at a Slight Angle and author of Eastern Questions: Hellenism and Orientalism in the Writings of E. M. Forster and C. P. Cavafy.
Prologue: "Dangerous Thoughts"1. "Aesthetic to the point of affliction": Cavafy and British Aestheticism2. Translating Baudelaire: L'esprit Décadent and the Early Writings3. Pictorialist Poetics: Transpositioning Word and Image4. Paterian Decadence: Hellenism, Hedonism, and the Matter of Rome5. Cavafy’s Byzantium: Historicizing Fantasies of Exquisite DeclineEpilogue: Decadence’s Gay LegacyBibliography
Notes
Acknowledgments
Index
Zusatzinfo | 14 Halftones, black and white |
---|---|
Verlagsort | Ithaca |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 907 g |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-8014-4708-9 / 0801447089 |
ISBN-13 | 978-0-8014-4708-2 / 9780801447082 |
Zustand | Neuware |
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