The Collected Works of Langston Hughes v. 3; Poems 1951-1967
Seiten
2001
University of Missouri Press (Verlag)
978-0-8262-1341-9 (ISBN)
University of Missouri Press (Verlag)
978-0-8262-1341-9 (ISBN)
This volume collects the poems of the last period of Hughes's life. Hughes seeked to fuse the modernist dissonances of bebop jazz with his perception of Harlem life as both a triumph of hope and a potential crisis. These poems demonstrate his alertness to the significance of black music.
Volume 3 collects the poems of the last period of Hughes's life. Montage of a Dream Deferred (1951) brilliantly fused the modernist dissonances of bebop jazz with his perception of Harlem life as both a triumph of hope and a potential crisis (""What happens to a dream deferred?""). In the tumultuous following years, he refused to relinquish the mantle of the poet, as may be seen in his inspired last two books of verse, Ask Your Mama (1961) and The Panther and the Lash (1967). The former demonstrate Hughes's continuing alertness to the significance of black music as a guide to American reality, here, avant-garde jazz rhythms and allusions fueled an intensity of language that predicted the cultural upheavals of the sixties and seventies. Hughes's last volume, combining old and new poems, emphasized the struggle for civil rights in the face of reactionary defiance, on the one hand, and the volatility of Black Power, on the other. Vigorous and versatile to the end, Hughes concluded his career as he had begun it a master poet dedicated to observing and celebrating African American culture in its full complexity.
Volume 3 collects the poems of the last period of Hughes's life. Montage of a Dream Deferred (1951) brilliantly fused the modernist dissonances of bebop jazz with his perception of Harlem life as both a triumph of hope and a potential crisis (""What happens to a dream deferred?""). In the tumultuous following years, he refused to relinquish the mantle of the poet, as may be seen in his inspired last two books of verse, Ask Your Mama (1961) and The Panther and the Lash (1967). The former demonstrate Hughes's continuing alertness to the significance of black music as a guide to American reality, here, avant-garde jazz rhythms and allusions fueled an intensity of language that predicted the cultural upheavals of the sixties and seventies. Hughes's last volume, combining old and new poems, emphasized the struggle for civil rights in the face of reactionary defiance, on the one hand, and the volatility of Black Power, on the other. Vigorous and versatile to the end, Hughes concluded his career as he had begun it a master poet dedicated to observing and celebrating African American culture in its full complexity.
About the Editor Arnold Rampersad is Professor Emeritus of English at Stanford University in California. He is the author, coauthor, or editor of numerous publications, including The Life of Langston Hughes, Jackie Robinson: A Biography, and, with Arthur Ashe, Days of Grace: A Memoir. He is a 2010 recipient of the National Humanities Medal. About the Author Langston Hughes was one of the most influential and prolific writers of the twentieth century.
Erscheint lt. Verlag | 30.6.2001 |
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Reihe/Serie | The collected works of Langston Hughes ; Vol 3 |
Einführung | Arnold Rampersad |
Zusatzinfo | Illustrations |
Verlagsort | Missouri |
Sprache | englisch |
Maße | 160 x 235 mm |
Gewicht | 695 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-8262-1341-3 / 0826213413 |
ISBN-13 | 978-0-8262-1341-9 / 9780826213419 |
Zustand | Neuware |
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