Attic Oratory and Performance
Routledge (Verlag)
978-1-138-82835-3 (ISBN)
Although quite a lot of ink has been spilt over the performance dimension of oratory, the focus of nearly all of the scholarship in this area has been relatively narrow, understanding performance as only encompassing 'delivery' – the use of gestures and vocal ploys – and the convergences and divergences between oratory and theatre. Serafim seeks to move beyond this relatively narrow focus to offer a holistic perspective on performance and oratory. Using examples from selected forensic speeches, in particular four interconnected speeches by Aeschines (2, 3) and Demosthenes (18, 19), he argues that oratorical performance encompassed subtle communication between the speaker and the audience beyond mere delivery, and that the surviving texts offer numerous glimpses of the performative dimension of these speeches, and their links to contemporary theatre.
Andreas Serafim is a Government of Ireland Postdoctoral Fellow at Trinity College Dublin and Adjunct Lecturer at the Open University of Cyprus. He has also been Adjunct Lecturer at the University of Cyprus (2014–2015) and Honorary Research Fellow (2013–2015) and Assistant Lecturer in Ancient Greek (2012–2013) at University College London.
Introduction
Current perspectives and approaches
What this book is about
Performance Studies and Attic oratory
Audience and speaker in the law-court
Four case studies
The Embassy Case
The Crown Case
Outline
Chapter 1. The Hermeneutic Framework: An Analytical Approach
The notion of performance: conceptual groundwork
Performance in the theatre and the law-court
Judicial oratory in/as performance: Aeschines 2, 3 and Demosthenes 18, 19
Constructed audience
Other strategies to influence the audience
Reconsidering ekphrasis through the lens of ancient theory
The depiction of litigants, ēthopoiia
Conceptual groundwork
The performative dimension of oratorical portraiture
Inter-generic portraiture
Hypocrisis – Delivery
Script, revision and extemporisation
A note on the use of ancient sources
Chapter 2. Construction and manipulation
Addresses to the audience and civic community
Law-court "Big Brother"!
Emotional appeals
Direct/explicit appeals to emotions
Indirect/inexplicit appeals to emotions
Defence versus prosecution
The language of performance: imperatives and questions
Chapter 3. Aeschines and Demosthenes in the Theatre of Justice
Political thespians in the law-court
The use of quotations
"He is proud of his voice": oral excess in the law-court
"Drive him away and hiss him out": inviting the audience reaction
Chapter 4. Ēthopoiia: an inter-generic portrayal of character
Comic or laughter-inducing ēthopoiia
Comic stereotyping
Inversion of tragedy into comedy
Ridiculing sexuality
Character portraiture: tragedy and epic
Identification with tragic and epic characters
Cursed or unlucky?
Chapter 5. Hypocrisis! Hypocrisis! Hypocrisis!
Hypocrisis of emotions
Divine hypocrisis
Deixis
Figures of speech
Embassy speeches
Crown speeches
Direct speech, narrative and questions
Occasional aspects of hypocrisis
Chapter 6. Conclusion
Index
| Reihe/Serie | Routledge Monographs in Classical Studies |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 362 g |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Kommunikation / Medien ► Kommunikationswissenschaft | |
| ISBN-10 | 1-138-82835-1 / 1138828351 |
| ISBN-13 | 978-1-138-82835-3 / 9781138828353 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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