Bardic Nationalism - Katherine M Trumpener

Bardic Nationalism

The Romantic Novel and the British Empire
Buch | Softcover
416 Seiten
1997
Princeton University Press (Verlag)
978-0-691-04480-4 (ISBN)
59,85 inkl. MwSt
Links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world.
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard.
Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.

Katie Trumpener is Associate Professor of English, Germanic Studies, and Comparative Literature at the University of Chicago.

List of IllustrationsPrefaceAcknowledgmentsIntroduction: Harps Hung upon the Willow3Ch. 1The Bog Itself: Enlightenment Prospects and National Elegies37Ch. 2The End of an Auld Sang: Oral Tradition and Literary History67Ch. 3National Character, Nationalist Plots: National Tale and Historical Novel in the Age of Waverley, 1806-1830128Ch. 4Coming Home: Imperial and Domestic Fiction, 1790-1815161Ch. 5The Old Wives' Tale: The Fostering System as National and Imperial Education193Ch. 6The Abbotsford Guide to India: Romantic Fictions of Empire and the Narratives of Canadian Literature242Notes293Select Bibliography367Index411

Erscheint lt. Verlag 25.5.1997
Reihe/Serie Literature in History
Zusatzinfo 10 halftones
Verlagsort New Jersey
Sprache englisch
Maße 197 x 254 mm
Gewicht 652 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften Politik / Verwaltung Politische Systeme
ISBN-10 0-691-04480-5 / 0691044805
ISBN-13 978-0-691-04480-4 / 9780691044804
Zustand Neuware
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