European Cinema and Continental Philosophy
Bloomsbury Academic USA (Verlag)
978-1-4411-2949-9 (ISBN)
By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.
Thomas Elsaesser is Emeritus Professor at the University of Amsterdam, The Netherlands, and since 2013 Visiting Professor at Columbia University. European Cinema and Continental Philosophy further develops Elsaesser's approach to national and auteur cinema begun with Fassbinder's Germany: History Identity Subject (1996), continued with European Cinema - Face to Face with Hollywood (2005) and given a theoretical turn in Film Theory: An Introduction through the Senses (2010).
Table of Contents
Chapter 1: European Cinema into the 21st Century: Enlarging the Context?
Chapter 2: Film as Thought: The ‘Film and Philosophy’ Debate
Chapter 3: Film as Thought Experiment
Chapter 4: “Europe” – A Thought Experiment
Chapter 5: A Cinema of Abjection?
Chapter 6: Post-heroic Narratives and the Community-to-Come
Chapter 7: Claire Denis, Jean-Luc Nancy and Beau Travail
Chapter 8: Hitting Bottom: Aki Kaurismäki and the Abject Subject: The Man Without A Past
Chapter 9: “Experimenting with Death in Life” Fatih Akin and the Ethical Turn
Chapter 10: Black Suns and a Bright Planet: Lars von Trier’s Melancholia as Thought Experiment
Chapter 11: Anatomy Lesson of A Vanished Country: Christian Petzold’s Barbara
Chapter 12: Control, Creative Constraints and Self Contradiction: The Global Auteur
Bibliography
Filmography
Index
Erscheint lt. Verlag | 29.11.2018 |
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Reihe/Serie | Thinking Cinema |
Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 644 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-4411-2949-9 / 1441129499 |
ISBN-13 | 978-1-4411-2949-9 / 9781441129499 |
Zustand | Neuware |
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