Explorations in New Cinema History (eBook)

Richard Maltby is Professor of Screen Studies and Executive Dean of the Faculty of Education, Humanities and Law at Flinders University, South Australia. He has written and edited several books and articles on cinema history, including Hollywood Cinema (Blackwell, 2003). Daniel Biltereyst is Professor in Film and Media Studies at Ghent University, Belgium, and has written widely on the subject of film culture and controversy in the public sphere. Philippe Meers is Associate Professor in Film and Media Studies at the University of Antwerp, Belgium. He has published variedly on historical and contemporary cinema culture and audiences.

Notes on Contributors.

Acknowledgements.

Part 1 Mapping Cinema Experiences.

1 New Cinema Histories (Richard Maltby).

2 Reimagining the History of the Experience of Cinema in a
Post-Moviegoing Age (Robert C. Allen).

3 Putting Cinema History on the Map: Using GIS to Explore the
Spatiality of Cinema (Jeffrey Klenotic).

4 What to do with Cinema Memory? (Annette Kuhn).

Part 2 Distribution, Programming and Audiences.

5 Social Class, Experiences of Distinction and Cinema in Postwar
Ghent (Daniel Biltereyst, Philippe Meers and Lies Van de
Vijver).

6 Distribution and Exhibition in The Netherlands,
1934-1936 (Clara Pafort-Overduin).

7 Patterns in First-Run and Suburban Filmgoing in Sydney in the
mid-1930s (John Sedgwick).

8 From Hollywood to the Garden Suburb (and Back to Hollywood):
Exhibition and Distribution in Australia (Mike Walsh).

9 Hollywood and its Global Audiences: A Comparative Study of the
Biggest Box Office Hits in the United States and Outside the United
States Since the 1970s (Peter Krämer).

10 Blindsiding: Theatre Owners, Political Action and Industrial
Change in Hollywood, 1975-1985 (Deron Overpeck).

Part 3 Venues and their Publics.

11 'No Hits, No Runs, Just Terrors': Exhibition,
Cultural Distinctions and Cult Audiences at the Rialto Cinema in
the 1930s and 1940s (Tim Snelson and Mark Jancovich).

12 Going Underground with Manny Farber and Jonas Mekas: New
York's Subterranean Film Culture in the 1950s and 1960s
(Peter Stanfield).

13 Searching for the Apollo: Black Moviegoing and its Contexts
in the Small-Town US South (Arthur Knight).

14 Film Distribution in the Diaspora: Temporality, Community and
National Cinema (Deb Verhoeven).

Part 4 Cinema, Modernity and the Local.

15 The Social Biograph: Newspapers as Archives of the Regional
Mass Market for Movies (Paul S. Moore).

16 Modernity for Small Town Tastes: Movies at the 1907
Cooperstown, New York, Centennial (Kathryn
Fuller-Seeley).

17 Silent Film Genre, Exhibition and Audiences in South India
(Stephen Putnam Hughes).

18 The Last Bemboka Picture Show: 16 mm Cinema as Rural
Community Fundraiser in the 1950s (Kate Bowles).

Index.

"Recommended. Upper-division undergraduates through faculty." (Choice, 1 November 2011)

"Explorations in New Cinema History is one book well deserving of
it title. Richard Maltby and his colleagues and contributors
not only lay out what this new style of social cinema history
means, but add case studies from the Netherlands to Australia to
small town USA. A major must-read for all scholars of cinema
history."



Douglas Gomery, author of Shared Pleasures



"This exciting collection adds further dimensions to the study of
film circulation and consumption and of cinema as a site of social
and cultural exchange. In doing so it establishes the "new cinema
history" as a major new force in the field of Film Studies"

Stephen Neale, University of Exeter

"An indispensable compendium documenting the rich body of work
produced over the last decade on the social history of the
experience of moviegoing."

Frank Kessler, Universiteit Utrecht