French Film in Britain - Lucy Mazdon, Catherine Wheatley

French Film in Britain

Sex, Art and Cinephilia
Buch | Hardcover
248 Seiten
2013
Berghahn Books (Verlag)
978-0-85745-350-1 (ISBN)
123,45 inkl. MwSt
In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language work. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home.
In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.

Lucy Mazdon is Dean of the Faculty of Arts, Cultures and Education at the University of Hull. Her publications include Encore Hollywood: Remaking French Cinema (BFI, 2000), France on Film: Reflections on Popular French Cinema (Wallflower, 2001), (with Mike Hammond) The Contemporary Television Series, (EUP, 2005) and (with Catherine Wheatley) Je t’aime, moi non plus: Franco-British Cinematic Relations (Berghahn Books, 2010).

List of Illustrations

Acknowledgements



Introduction



Chapter 1. The Advent of Sound, A Changing Film Culture (1925-39)

Chapter 2. Cinema Goes to War (1939-1950)

Chapter 3. ‘Saucy and Naughty and Witty and Chic’: Can French Films Fill the Gap? (1950-1959)

Chapter 4. The French New Wave on British Shores (1959-1970)

Chapter 5. ‘A New Low in French Films’: Changing Perceptions of French Cinema (1970-1982)

Chapter 6. Video Saved the French Film? (1982-2002)



Conclusion



Appendices

Notes on Contributors

Index

Erscheint lt. Verlag 18.4.2013
Verlagsort Oxford
Sprache englisch
Maße 152 x 229 mm
Gewicht 503 g
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 0-85745-350-5 / 0857453505
ISBN-13 978-0-85745-350-1 / 9780857453501
Zustand Neuware
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