Undoing Time

The series aims to publish innovative research on the written, material and visual cultures and intellectual history of modern Italy, from the 19th century to the present day. It is especially interested in work which articulates aspects of Italy's particular, and in many respects, peculiar, interactions with notions of modernity and postmodernity, broadly understood. It also aims to encourage critical dialogue between new developments in scholarship in Italy and in the English-speaking world.

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The walls of Le Nuove prison in Turin are scarred by graffiti, bullets and blood. Opened in 1870, Le Nuove was one of Italy's first panoptical prisons. During the Second World War it was occupied by the Nazis, who executed and deported anti-Fascist and Jewish prisoners held there. In the 1970s it housed left-wing 'terrorists', who spearheaded violent riots that spread to prisons across Italy. The prison staff became targets and four were shot dead. When Le Nuove finally closed down in October 2003, the memories of the tragic events that occurred there became obstacles to its demolition.
Combining oral history, anthropology and micro-history, this book examines the cultural memory of Le Nuove via interviews, archives and the material traces left within the building itself. The volume examines issues such as the relationship between memory and place, forgetting, and the problems of a global cultural heritage increasingly focused on places of suffering. By following the architecture of the prison in her narrative, the author actively engages with the many layers of time competing to give meaning to the prison today, as well as addressing the hidden stories, myths and silences that condition any study of cultural memory.